Kehinde Wiley Quotes
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.
Quotes to Explore
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Read some good, heavy, serious books just for discipline: Take yourself in hand and master yourself.
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I am a Buddhist.
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I don't even own a television. I don't watch network television.
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The same liberty that protects me also protects members of the Mafia.
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If a Chinese student does not know Chinese learning, it's like a person without a surname, a horse without a bridle, a boat without a helm. The more Western learning he possesses, the more hateful of China he will become. Even if he becomes a capable man of vast learning, how can he be of any use to the state?
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I was admittedly comfortable with Iman Cosmetics being identified as a beauty brand that filled the gap for black women because it was deeply personal for me.
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Things that happen in Wyoming are things that wouldn't happen in a big city - we've got bears, we've got a lot of shotguns - in Absaroka County, everybody's got a shotgun in the back of their car!
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It's nice not to be too boring.
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All writers are the same - they forget a thousand good reviews and remember one bad one.
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In theory, taxes should be like shopping. What I buy is government services. What I pay are my taxes.
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I always wanted to act. I guess I've always been a bit of a drama queen.
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I never really address myself to any image anybody has of me. That's like fighting with ghosts.
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
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The vision must be followed by the venture. It is not enough to stare up the steps - we must step up the stairs.
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I'm a believer in things happening for a reason.
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My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
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Every single place that's brushed upon me has made me the artist that I am - from Nigerian Highlife music and the vocal melodies that I grew up on when I would be sitting with my father and his fellow chiefs, to the funk and freeness of the Bay Area groove, to L.A.'s smooth G-funk legacy, Brooklyn's lyricism, and now Atlanta's trap history.
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Every time I work with a European director, I find they hire the person that captures the spirit of the role. Americans tend to hire the best face. The person that looks more like the role, whether they can perform the role or not is a bonus.
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I know that God is good, and he saved me from hell and damnation.
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Well, I'm pretty anti legends - I just don't think they're useful. So that certainly wouldn't be my intention. But will it contribute to that? Sure. Any medicine can be mis-used. But I think that there is a great courage, innocence and magic to him that more than a legend is about connection.
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Reagan is the Republican FDR, an exemplar of presidential greatness.
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I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.
