Dario Argento Quotes
Horror is the future. And you cannot be afraid. You must push everything to the absolute limit, or else life will be boring. People will be boring. Horror is like a serpent: always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.

Quotes to Explore
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Illustrious acts high raptures do infuse, And every conqueror creates a muse.
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Even a minor event in the life of a child is an event of that child's world and thus a world event.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I saw Mercury Prize-winners Alt-J for the first time recently, touring their debut album 'An Awesome Wave,' and I'm still riding the high: they're the most musically dynamic and exciting band to have poured tune into my lug holes live since Bellowhead.
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When you speak directly at things and don't say you're going to try to do something or that you hope to do something, the universe will work with you. Think about it this way - a boomerang goes out and comes back to you if you throw it. If you throw it out at the universe, it will come back down to you on Earth.
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If I don't create, I don't exist.
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I never edit the songs that come out. And they tend to come out as a whole. The closest thing I have ever done to editing them is just cutting out a verse, but never rewriting lyrics.
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Unless man is committed to the belief that all mankind are his brothers, then he labors in vain and hypocritically in the vineyards of equality.
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When I was coming up as a kid, there were programs that kept me out of trouble and on the straight and narrow in South Central Los Angeles, and I always felt that when I got to a stage where I could provide similar opportunities to kids then I would do that.
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I told myself, 'I am teaching entrepreneurship, so I should be an entrepreneur myself.'
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There's no single company in the whole world that has a big-scale production base and at the same time has screening and distribution channels. Wanda Group is the first one in the world.
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I told my agent which women I aspire to have a career like: Frances McDormand, Kate Winslet, Laura Linney and Emma Thompson - character actresses who have something to say. I also said that I loved Madeline Kahn and Jessica Lange.
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Somebody can't complain when they enjoy going to work and enjoy the people they work with.
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I am the middle child with an older and younger brother.
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I've always been really, really aware of my insecurities - really, really aware. I never developed that thick skin that keeps you from letting things get to you.
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I don't believe I could work as effectively at what I do without the support of my wife.
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If I were governor, and a bill came to my desk that provided for background checks at gun shows, I would sign that.
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One of the things about the '70s films I love - the films 'Nightcrawler' is being compared to, like, 'Taxi Driver' - is that they never put their flawed characters into any one box.
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In Paris, AIDS was dismissed as an American phobia until French people started dying; then everyone said, 'Well, you have to die some way or another.' If Americans were hysterical and pragmatic, the French were fatalistic: depressed but determined to keep the party going.
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Here's how I look at it: Life is full of challenges. Everybody has them. For some, it's health or family crises. I had a financial challenge.
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Great products sell themselves.
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I love doing theater. It's what I grew up in and is my roots. I get a huge fulfillment from it. But if my path is to go someplace else, hey, I'm there.
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I grew up in youth programs in Chicago, so they are definitely close to my heart. It is all about helping kids and giving back to a sport that has given me so much.
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Horror is the future. And you cannot be afraid. You must push everything to the absolute limit, or else life will be boring. People will be boring. Horror is like a serpent: always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.