Dave Chappelle Quotes
Whether it means having a show, or a movie, or just being on a stage, I need an avenue to say what I have to say.
Quotes to Explore
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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One of my main weaknesses is a good movie. I'll just bawl my eyes out.
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Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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The process of making a movie is what I love. I thrive on that. It's an exciting miracle, a mad adventure. I love being part of it.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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I've never done a superhero movie. It's very nice to you as an actor in several worlds to go and to experiment.
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The first movie I can remember seeing in the theater was 'Return of the Jedi.' I can remember seeing Darth Vader's helmet come off. The shock of that moment.
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Movie making is not like other art forms, like painting, or writing a novel, because that can be digested or interpreted... It takes two years to make each one of these, and it's always judged on money.
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One movie is only one movie. I want to have a lifetime of making films.
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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I love 'Love Actually.' 'Love Actually,' there's, like, nine stories in that movie. Three of them are good. But watching that movie, I get emotional, I get choked up, my wife makes fun of me. I don't know if as you get older you get sappier and sentimental.
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The thing is, even though you think a lot about your movie, and there's a lot of preparation behind it, the final end result completely goes beyond it. It's not something you're aware of.
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Show me a Scorsese film, and I'll show you a movie where he's taken risks. It's just his nature. He's an artist, and artists take risks. He always does what he believes in.
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I am rich beyond the dreams of avarice.
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Time expands and contracts. When it expands, it’s like pitch: it folds people in its arms and holds them forever in its embrace. It doesn’t let us go so easily. Sometimes you go back again to the place you’ve just come from, stop and close your eyes, and realize that not a second has passed, and time just leaves you there, stranded, in the darkness
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Whether it means having a show, or a movie, or just being on a stage, I need an avenue to say what I have to say.
