David Bailey Quotes
Quotes to Explore
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We want our students to graduate from high school, but we want them to graduate with a plan, whether it's college or career.
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Our society needs to recognize the unstoppable momentum toward unequivocal civil equality for every gay, lesbian, bisexual and transgendered citizen of this country.
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I never said I don't like gay people.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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The truth is, it's not a great career move to create a readership and then, in effect, abandon them.
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That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
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I am not the candidate of career politicians in Washington.
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The childhood poverty of both my parents and their minimal education did much to influence me and my two younger brothers in our education and career choices. One brother became a dentist and the other, a professor of anthropology with a Ph.D. degree.
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It's a notion that career-oriented women often neglect their families. But we should cut them some flak; these women are doing everything for the sake of family so that it progresses. I believe when kids see their mothers working hard, they take up responsibilities at home and are far more well-turned out than other children.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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I knew that I was a gay boy fairly early; what was interesting to me was that my mother didn't know. She made me play baseball - I had no desire to do that. I said, 'Mom, I don't like direct sunlight, I don't like bugs, I don't like grass, and I'd rather be in the house playing with your fabric samples.'
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When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
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Over my career, I've reinvented myself numerous times. I covered the Pentagon, the State Department, and the CIA. I wrote about labor wars, trade wars and real wars. I chronicled a nuclear plant meltdown and the defeat of Communism. I co-founded a couple of media businesses.
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Thirty-three-years-old, still creating art. It's rage, it's creativity, it's pain, it's hurt, but it's the opportunity to still have my voice get out there through music.
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Putting is not an art, it's a dreaded evil. No wise man ever said that.
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I've had young women come to me and say that before they watched 'Voyager' it didn't really occur to them that they could be successful in a higher position in the field of science; girls going to MIT, girls pursuing astrophysics with a view to a career in NASA.
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I'm still me, no matter if I'm gay or straight or whatever.
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I struggle sometimes superficially with my management or with my own career about how much time I spend traveling or giving myself away to promote my music or myself when I'd rather be gardening or surfing or being at home with my loved ones. And everyone struggles with that; everyone struggles with having to go to work. And I struggle with how humankind ended up this way.
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I'd like to do 'My Best Friend's Wedding,' 'Pretty Woman,' Meg Ryan type stuff. Romantic comedies. I'd love to do some action stuff as well.
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In the harshness of the world of technology - in which feelings do not count anymore - the hope for a saving love grows, a love which would be given freely and generously.
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Satan was a blunderer ... who made a stupendous failure. If he had succeeded, we should all have been worshipping him, and his portrait would have been more flattering.
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John Parsons, the gay art director at 'Vogue,' really started my career.
