Bill Dedman Quotes
In Atlanta, with a large African-American population, Sosa is often considered a black man. In Miami and Los Angeles, with larger Hispanic populations, he is a Latino man, and the black label is rejected as robbing Hispanics of a hero.
Quotes to Explore
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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From when I was young, I wanted to be an action hero. I always dreamed about being an action star. So finally, I made it.
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The South resented giving the Afro-American his freedom, the ballot box and the Civil Rights Law.
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After Brown, I went to Duke, to a Ph.D. program in American literature. My dad's an English professor. After a year there, I was like, 'Jesus. I don't want to do this. I don't want to be in the library.' So I pulled the ripcord, and that was it.
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There is a machismo about an American male who is robust, athletic, able to build things, and he takes care of stuff. And it's a point of pride.
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Besides black art, there is only automation and mechanization.
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I'm an American citizen now, but I will always have Canadian pride.
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The key battleground in the war on terrorism, therefore, is in the minds of the American public.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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College was where I got to actually experience the difference between black and white.
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Whenever I'm in the U.K., people say I have an American accent. Which is, obviously, funny.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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As a grandson of farmers in downstate Illinois, I have long admired the dedication of farmers to their work and have written about the role of agriculture in American innovation.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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My Native American heritage was not embraced by our family, and we grew up African-American, so I didn't have a lot of access or history to that line of my family.
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I wanted to make Canadian films, and I ended up making American films.
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Being my dad's daughter has allowed me to do a lot of things that maybe another artist might not be able to do or wouldn't be necessarily embraced doing.
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The biggest accomplishment, in racial terms, for Barack Obama was being elected. He had to overcome his blackness to be elected. He climbed the Mt. Everest of American politics, becoming an historic first.
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I think that Atlanta has this huge well of black culture and openness to share all the things that we have made there.
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I’m a child of immigrants, I’m black and I’m a big woman and gay on top of that.
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We have such a loyal following in London that we decided to open a shop, and I find Albemarle Street extremely charming and special.
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New York reminds me a little bit of Canada and my upbringing. Los Angeles is like living in a vacation, and you have to pinch yourself every once and a while.
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Willing or preferring is the same with respect to good and evil, that judging is with respect to truth or falsehood.
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In Atlanta, with a large African-American population, Sosa is often considered a black man. In Miami and Los Angeles, with larger Hispanic populations, he is a Latino man, and the black label is rejected as robbing Hispanics of a hero.
