Mark McKinnon Quotes
Quotes to Explore
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To write a good mystery you have to know where it will end before you can decide where it will begin... and I've always known where it will end.
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Its no secret that I've never liked tax credits.
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People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
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Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
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I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
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We are not interested in the possibilities of defeat. They do not exist.
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I like different statement jewelry, especially around the ears.
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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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I just go in the studio and write on the spot and see what comes out.
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You don't actually have control of the position people want you to be in. If they say, 'You king of the blacks,' you're king of the blacks - whether you like it or not.
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I only know that I fired twice, or perhaps several times, without knowing whether I had hit or missed.
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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Good analysis is very useful when you want to convert a political decision into an investment. It can also go the other way and drive policy.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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I've always had an addictive nature.
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The love of one's country is a splendid thing. But why should love stop at the border?
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The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.
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I had that hunger to work and keep growing. So I started to cut hair. When I started getting better, I got my own barbershop. I had a lot of clients in my hometown, so I wouldn't stop cutting hair. That's why I think I have such discipline in my job because I've always been very responsible.
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My husband and I had the opportunity to write some stuff for other people. We both tried it. I think it lasted about two weeks, and we both felt ridiculous. It just didn't work for us.
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I spend a lot of time in L.A., and I think it would probably be easier if I lived there work wise, but there's no city like London, there is so much going on. I can jump on the Tube and be anywhere in 20 minutes, and all my friends and family are here and I'm not prepared to give that up.
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I just go out there, try to play my game.
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I think therapy can be very revealing and useful for actors. You start to dig deep and understand certain mechanisms that you hadn't been aware of before and, you know, meanings behind things.
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Debates require a lot of hard work and preparation. If you try to wing it, it shows.
