Mark McKinnon Quotes
Quotes to Explore
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To write a good mystery you have to know where it will end before you can decide where it will begin... and I've always known where it will end.
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Its no secret that I've never liked tax credits.
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People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
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Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
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I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
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We are not interested in the possibilities of defeat. They do not exist.
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I like different statement jewelry, especially around the ears.
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But, unfortunately, sometimes that affirmation creates a sense that you deserve special treatment and recognition in areas where you're not so talented.
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I just go in the studio and write on the spot and see what comes out.
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You don't actually have control of the position people want you to be in. If they say, 'You king of the blacks,' you're king of the blacks - whether you like it or not.
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I only know that I fired twice, or perhaps several times, without knowing whether I had hit or missed.
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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Good analysis is very useful when you want to convert a political decision into an investment. It can also go the other way and drive policy.
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I was, by the way - I'm an Essex lad, born and raised in Essex in the U.K.
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I've always had an addictive nature.
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The love of one's country is a splendid thing. But why should love stop at the border?
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The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.
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The question isn't whether you have a good master or a bad master. It's to be your own master. That is the dignity of humanity.
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I don't think my competition is with the heroes. I don't think I'm competing with anyone. I don't mean to sound Zen, but genuinely, when I stopped competing with anything is when I started enjoying my work, and that brought out the best in me. I'm living in a universe of my own, and I'm enjoying that. I love to appreciate other people's work.
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I take mentoring very seriously and as a result I hardly get any work done during the school year.
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I've never taken the steps to be 'successful': I've never had a manager or signed to a publishing house.
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The only thing that we as actors really can control is to be able to say 'yes' or 'no' to the material.
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Debates require a lot of hard work and preparation. If you try to wing it, it shows.
