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A lot of times I think people, when they're doing a movie that's a family movie, they're worried about this being too esoteric or too dark or too weird.
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It doesn't occur to me that I don't drive a cool car until I hang out with Jon Hamm, who picks me up in what looks like a Transformer, and I think, 'Oh, that's what movie stars are driving. I guess I'm not a movie star.'
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I met Robin Williams a few times, and he was a beautiful guy.
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I don't think I could do what Woody Allen or Clint Eastwood or Ben Stiller do, where they direct a movie and they star in it. I would just be like, 'Oh, I don't even want to look at my face.'
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I was a production assistant in the post department on 'The Surreal Life.' And it's been reported before that I was an assistant editor on 'The Surreal Life.' That is not true.
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My life is different since I moved back to L.A. from New York, mostly because I have a family and I don't go out.
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One of the reasons I started working at 'South Park,' actually, was that I wanted to learn how to structure things and how to tell a story.
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To be totally honest? I don't know if I'll keep doing more impressions. People told me I had a facility for it, and I was like, 'Okay, I'm the impression guy.' So you imagine the cast at 'SNL' is an A-Team, and you've got the explosives guy, and I'm the impression guy.
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I don't like the sound of my voice or how I look or anything.
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You can be the lead in a movie just for the sake of being a lead in a movie, or you can just be in a good movie.
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I was offered a lot of supporting crazy parts in comedies because that's all I had done.
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Sometimes you're working with somebody, and you can tell they're just waiting to say their line.
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I like when you are telling a story and fall into an impression.
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I get migraines a lot. I get them when I'm stressed out. My brain freezes, and I just try to get through that.
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'SNL' is really hard to do when you're single and living alone. And then it's pretty tough when you're married, because you don't see your spouse.
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The first time I ever acted was in 'The Glass Menagerie' in high school, and my first line was, 'I didn't know Shakespeare had a sister.'
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I started 'SNL,' and I became the one who did impressions. I did that, but then I wanted to get an original character on, and that took a long time to get one on that stuck. And then I got Vinny Vedecci on - 'Oh great' - and then it took a couple more seasons to get Greg the Alien on. You have to have some patience.
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I think that's the thing I learned at 'Saturday Night Live' - any time I would try and strategize, I would always, always fall on my face. Things worked out when I tried to make it about what I was feeling at that moment and what I was into in that moment of my life.
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I got invited to the Playboy Mansion with the Lonely Island guys after their first season on 'SNL,' and I sat in the corner drinking coffee and talking to Akiva Schaffer about what aspect ratio he was going to shoot 'Hot Rod' in. Like, that's what we talk about.
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I really liked John Candy in 'Planes, Trains & Automobiles.' He was so good in that movie.
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I would say it wasn't until my fourth season on 'SNL' where people or my agent was saying, 'You're an actor.' I never thought of it that way.
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To be honest, I don't know how comedy works.
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Yeah, improvising only really works 100% when you're with somebody.
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I started making little short films with friends, and then I decided I wanted to get into the school play in high school.