G. Willow Wilson Quotes
The script for what would eventually become my first graphic novel, 'Cairo,' sort of came to me in kind of a bolt of lightning within 24 hours of having moved to that city. Just a jumble of characters and narratives and interesting things that I was seeing and experiencing for the first time.
Quotes to Explore
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I want to break down some of the stigma associated with mental illness.
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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Things are simple, it is us human beings that make it difficult.
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Still round the corner there may wait, A new road or a secret gate.
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That a majority of the Abolitionists in this place would patronize a free labor store, in preference to others, I do not doubt; but we do not muster money in Cincinnati.
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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The biographical novel is a true and documented story of one human being's journey across the face of the years, transmuted from the raw material of life into the delight and purity of an authentic art form.
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Control what you can control. Don't lose sleep worrying about things that you don't have control over because, at the end of the day, you still won't have any control over them.
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If there's one thing I've learnt, it's that I don't think a man ever looks better than when he's in a suit. So I'm wearing them increasingly, not in my personal life, but in my professional life, and I'm really enjoying it.
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I started out in Scotland, not as a footballer of any note, and I didn't play to draw the attention of people abroad.
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I always had to genuinely like the actors I worked with and use my enthusiasm and vision to give them confidence to push their creativity and their humor.
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Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with?
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I think most people that are looked upon as doing something daring don't necessarily think of it that way-they do what they have to do.
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You know, there's always someone in mind when I'm writing. You know, it's all comes from somewhere inside.
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I grew up on the edge of a national park in Canada - timberwolves, creeks, snow drifts.
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I got lost one time for a couple hours. It was pretty bad. I got lost in a creek, and I couldn't find my way back. The cops even had to come.
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I know, to banish anger altogether from one's breast is a difficult task. It cannot be achieved through pure personal effort. It can be done only by God's grace.
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Tardiness in literature can make me nervous.
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It's not going to happen through technology or our intellectual abilities but only through prayer. When we pray, God works. We believe God blesses churches that bless missions.
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And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.
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Working on 'King Of Texas' was a life experience for me.
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With 'The Chi,' it's me observing my own city and also pulling some things from themes I've dealt with in my life.
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That great mystery of TIME, were there no other; the illimitable, silent, never-resting thing called Time, rolling, rushing on, swift, silent, like an all-embracing ocean tide, on which we and all the Universe swim like exhalations, like apparitions which are, and then are not: this is forever very literally a miracle; a thing to strike us dumb,-for we have no word to speak about it.
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The script for what would eventually become my first graphic novel, 'Cairo,' sort of came to me in kind of a bolt of lightning within 24 hours of having moved to that city. Just a jumble of characters and narratives and interesting things that I was seeing and experiencing for the first time.
