Peter Hook Quotes
They were also the tracks on which we channelled a love of Kraftwerk and Giorgio Moroder. Ian Curtis had first introduced us to the icy Germans, and that was quickly followed by an even greater admiration for Moroder, particularly his work with Donna Summer on ‘I Feel Love’ and his production of the wonderful Sparks track ‘Number One Song in Heaven’. His solo record E=MC2 became a big inspiration and definitely led us into ‘Temptation’. All we had to do was work out how they bloody did it.
Quotes to Explore
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A dame that knows the ropes isn't likely to get tied up.
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The artistic part of us all - I think that the easiest way to appreciate this - is through architecture. Architecture is very impressive; the beauty of buildings, temples.
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I've found a letter that was written to me from a girl who was getting married. And she wanted to know the secret of a happy marriage. I said - and I wrote back and said something to the effect that I couldn't - I had no magic formula. And I never sat down and thought about it, but everything just fell into place with Ronnie and me.
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Boating on the lake is one of my favorite summer activities.
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I'm interested in the acting and staging of specific emotions, and so I work with actors. It's a small proportion of what I do, but it's always what people seem to focus on.
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Get me well so I can get on television and tell people to stop smoking.
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What a cool job to be part of - whether it's doing lighting or acting or serving food on set. You're part of telling a story that hopefully has an essential component, and that's super exciting to me.
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I'm not on Twitter, and I don't read the papers day to day, so I am somewhat protected. There's this weird separation between your private and public persona.
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I love '30 Rock.' It's one of my favorite shows. It's certainly the gold standard of comedy writing.
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A high IQ individual can't deal in an industry that's subjective.
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It was to do with information management. The intention was to dramatise it.
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I've really written my books for my husband and our family. They've brought us closer together by allowing us to discuss things that were unspoken for so long.
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Customer expectations? Nonsense. No customer ever asked for the electric light, the pneumatic tire, the VCR, or the CD. All customer expectations are only what you and your competitor have led him to expect. He knows nothing else.
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I've been around a while. I kinda know these things.
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The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.
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Pigeon racing is a lousy, greedy, and often unlawful activity. One thing that it is not is kind to birds.
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I don't talk about political matters. That's not my department.
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It pretty much defeats the purpose of bedtime reading if you fall asleep before the kids do. And you tend to wake up with a matchbox stuck on the end of your nose and/or a potty on your head.
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Common man is always benefited by a rate cut.
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Arts are a luxury, proof that a civilization has risen above 'politics and war.'
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My co-founder Dylan Smith and I left our junior year of college to move to the Bay Area. To the horror of our friends' parents, we actually had two other friends drop out of college to work on the product. The four of us were just working non-stop growing Box.
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Posterity will one day laugh at the foolishness of modern materialistic philosophers. The more I study nature, the more I stand amazed at the work of the Creator. I pray while I am engaged at my work in the laboratory.
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The most important thing is that man should be the measure of all structures, including economic structures, and not that man be made to measure for those structures. The most important thing is not to lose sight of personal relationships - i.e., the relationships between man and his co-workers, between subordinates and their superiors, between man and his work, between this work and its consequences.
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They were also the tracks on which we channelled a love of Kraftwerk and Giorgio Moroder. Ian Curtis had first introduced us to the icy Germans, and that was quickly followed by an even greater admiration for Moroder, particularly his work with Donna Summer on ‘I Feel Love’ and his production of the wonderful Sparks track ‘Number One Song in Heaven’. His solo record E=MC2 became a big inspiration and definitely led us into ‘Temptation’. All we had to do was work out how they bloody did it.
