David Bryan Quotes
When you're on tour with the band, it's a different mentality. You don't sightsee because you're making sure you can do the show. But in musicals, I don't have to sing or play: I just have to use my brain, and the rest of the time, I'm free.
Quotes to Explore
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The idea of interdependence is central to Buddhism, which holds that all things come into being through the mutual interactions of various causes and conditions.
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But Charlie, Charlie, how can we ever really know anything? Charlie, what or who is God?
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You need someone to see what you've done, to read it and to understand it and to appreciate what's gone into it.
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A friendship can weather most things and thrive in thin soil; but it needs a little mulch of letters and phone calls and small, silly presents every so often - just to save it from drying out completely.
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A lot of actors know they want to be actors a little bit earlier on. I didn't even really start studying until I was about 22.
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It only looks like I get to eat a lot of food on TV. I really just get the one bite and the crew and guests eat everything else.
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Having two kids, I don't get out to see stand up much anymore.
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It was just really odd to be in a room with Ian McKellen sharing cucumber sandwiches.
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We have the American people properly concerned about the future of our country and the world.
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As proud and capable as it is, I think the idea that the military can build new countries is a tall order, and it's the sort of thing that we would only expect from a military that we have superresourced and thought of as supercapable.
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My senior year of high school, I got into UCLA, but my family couldn't afford it.
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I'm a darned good listener.
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I don't get tired of my work because you can't get tired of something you love and enjoy! But, having said that, I wish to get a break of four to five days, or at least three days, switch off my cell phone, and do what I want to.
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All through my life, I have never disguised my sentiments about politics in general.
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An enthusiastic desire of visiting the Old World haunted me from early childhood. I cherished a presentiment, amounting almost to belief, that I should one day behold the scenes, among which my fancy had so long wandered.
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In 2010, I was doing pretty well. I was going to go to graduate school.
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Us comics guys tend to get really good at the things we draw a lot. I'm good at creepy old forests, Victorian houses, underground goblin cities, and beautiful but creepy fairies.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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Man masters nature not by force but by understanding. This is why science has succeeded where magic failed: because it has looked for no spell to cast over nature.
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I am just a curious gal who is continuing to be curious.
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I think that any sort of fantasy or sci fi that is grounded in something that could ostensibly be real - 'Jurassic Park' being my favorite example - is that much more prescient because it means that much more. Maybe one day, what if?
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I remember the first single I ever bought. I think it was a terrible song called 'D.I.S.C.O.' by a band called Ottawan. It's a really fearless disco track from the '70s or early '80s.
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Learning happens in the minds and souls, not in the databases of multiple-choice tests.
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When you're on tour with the band, it's a different mentality. You don't sightsee because you're making sure you can do the show. But in musicals, I don't have to sing or play: I just have to use my brain, and the rest of the time, I'm free.
