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I think, at the end of the day, we're Americans: that's what we are, and we believe in America.
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I don't like it when bands don't want to play that one song everybody wants to hear. I think that's cheating everybody, and I think it's selfish of an artist to do that.
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We thought the hardest thing in the world was to get a record deal, then the hardest was to get a No. 1 record, and then the hardest thing is to stay at the top. It's a lot of work.
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I went to Temple Emanu-El, and my rabbi, Rabbi Landsberg, was a huge influence on me. When I was 7 and went to kindergarten, there he was, a young rabbi who didn't wear a yarmulke and rode a motorcycle.
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I grew up as one of the few Jews in Edison, and I had people tell me they hated me because of my religion.
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We've always been a band of the people, and we will always remain a band of the people.
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When I was growing up, there was hate. I looked around and saw that it was so wrong. I got to go round the world with my rock band, and you can bring harmony.
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We keep trying to get better - constantly working at it. We love to tour. I love to play in front of people. You sit there, and everybody's smiling, and you're smiling. It's a good time.
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We've always been just an American rock n' roll band.
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There's no glamour in stupid mistakes.
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I'd say that 98 percent of the bands we've played with through the years have either broken up or are stuck in some kind of '80s revival now.
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We would say we would play every pay toilet and use our own change. Across America and across the world, we just kept going and going.
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There's no way you can imagine going from kids in high school to being the best band in the world.
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Musicals weren't on my radar.
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We play anywhere around two, 2 hours, so we're always in shape, but you've got to get yourself in super shape so you can sing that long, play that long, and feel strong.
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I guess, for me, the therapy is walking on stage, playing all of our songs, and walking out. That's probably my therapy. That's a good time.
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I'm not a guy who grew up in theater. I've always played in rock bands.
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I think 'Slippery When Wet' was the turning point, where our records represent our energy that we do live.
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Everybody in the world has problems, and the nice thing about entertainment is you get to forget about those problems and have a good time for a couple of hours.
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We don't want to just be known for what we did. We want to be known for what we do and what we did. We've been highly productive since 2000 when 'Crush' came out.
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When I'm writing Broadway, it's for a character, a man, a woman, an old guy, a kid. In the band, you're talking in your own voice in the lyrics, saying what you think or feel. On Broadway, you're expressing that through a character.
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A musical is really one of the most complicated beasts. It's a play, and there's music... and there's dancing... it's unbelievably satisfying to get something up out of your brain onto a piece of paper ... and start the process and then see it on the stage.
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I'm in a very successful band. We all love each other. It ain't ever breaking up. I also have a terrific hobby that became a full-time job. My only problem? There's not enough time to sleep in my world.
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I've been playing piano since I was 7. I took 15 years of lessons. I've got a lot of miles on these hands.