Lauren Mayberry Quotes
I quite like being removed from the industry stuff so that when we're not on tour and we're writing, we're in a small room and you can't get out physically. I like that mental checking-out aspect - I think it's quite nice.
Quotes to Explore
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What can you do if a part of it is uphill? You can't work out another route. You've just got to run the one they give you. But they tell me London is a nice course. Even the cobbles, I hope, are not very much of a problem for me.
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It's very important for cities all around the world to reinvent themselves, and Glasgow is a good example of that. The Scots are very nice. I don't think they are burdened by their history.
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If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.
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The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
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I think some days you should do a cartoon that is absolutely just for the laugh, and some days you should do a cartoon that just punches the reader right in the stomach. It's kind of nice to mix it up.
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For nighttime or for an event, I'm all about the nice heel. Something that's still walkable but definitely very elegant.
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I keep thinking, we teach children to use language to solve their disputes. We teach them not to hit and fight and bite. Then look what adults do!
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I believe that Orthodoxy has been thinking lately, and despite other impressions, that we can't have full sacramental communion if we don't first have a fundamental agreement on the question of the primacy, that still isn't there.
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I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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Protecting a border is not a nice thing. It is not a matter of aesthetics; it cannot be done with flowers and teddy bears.
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They will always assume that this guy - an upcoming actor, what if he becomes a star tomorrow? He would not work with me then... so I might as well choose to be nice. But women are not treated with the same attitude. Women they treat really badly.
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I did a forward roll for the kids the other day, thinking it'd be a breeze like it was when I was six, and I had to lie flat for about 20 minutes afterwards - 'Leave mummy alone; she's feeling a bit dizzy.'
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Telling stories has been a compulsion of mine since I could physically say, 'Once upon a time...' But in high school, I realized I could study creative writing in college and actually pursue it as a viable career.
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My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world.
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In the history of literature there are many great enduring works which were not published in the lifetimes of the authors. If the authors had not achieved self-affirmation while writing, how could they have continued to write?
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When I was younger, I avoided exercise or anything strenuous. I didn't even enjoy walking. As I got older, I spent so much time marking books or sitting at a desk writing that there was no room for exercise - not that I would have bothered anyway.
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It's a nice feeling to go out in the world and look for excellence - the best in man. My subject is very valid. It's about people, and about life.
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I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
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My revision methods are chipping things away and moving them around and trying to get things right. I'm also open in my own writing to failure. I want to fail. I want to go to a place where I don't know what I'm doing, where maybe I'm lost. And in that uncertain space, I make decisions, and I know all those decisions are going to change everything else. And at a certain point, you just come to a place of rest. In revising, you reduce your options so that nothing is possible, and you just think, I can't change this anymore because I've already passed that decision point.
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It has taken me thirty three years and a bang on the head to get my values right.
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This ultimate fighting stuff is something I don't agree with. Once a man is down, you have to let him have a chance to prove how good he is.
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Politics is downstream from culture.
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I quite like being removed from the industry stuff so that when we're not on tour and we're writing, we're in a small room and you can't get out physically. I like that mental checking-out aspect - I think it's quite nice.
