Lauren Mayberry Quotes
I find it quite boring when you're listening to radio, and it's the same kind of voice that's on every song on the radio. You can't really tell a lot about that singer as a storyteller and about the singer from what they're singing.
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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A lot of times, I'm singing things that are observational and am definitely including myself.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math.
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I actually spend very little time listening to any new music.
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A potlatch is similar to a court case in that both are prohibitively expensive; both involve lengthy speeches and the vigorous examination and debate of the actions, rights and legal responsibilities of the participants. One has food, singing and spiritual rites; the other, not so much.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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Listening to music is such an uplifting, spiritual thing. It's far-fetched to some - I understand that. But the way dance music brings people together, it's not a big stretch from hymns.
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This is a way for artists to communicate directly to their fans. If you think of an artist like Bruno Mars, he's using Spotify, creating playlists and listening to music through it.
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I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
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There are no rules to writing a song.
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I loved my life, but my choices were overloading and overwhelming me. Listening to inner feelings and fulfilling some of these urges when they come along is incredibly important.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Toil without song is like a weary journey without an end.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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A healthy state encourages many voices - and lots of listening.
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I've always wanted to release a song that could actually touch someone and help them through a tough time.
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It's quite a pure relationship, designer and muse. I think a beautiful dress on the wrong woman could mean nothing. It has to be the right woman and the right clothes. That's why you need that personal touch.
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Bereavement is the sharpest challenge to our trust in God; if faith can overcome this, there is no mountain which it cannot remove.
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I need good friends who can say, 'I love you to death, but you look terrible in that, and you need to change right now.'
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I find it quite boring when you're listening to radio, and it's the same kind of voice that's on every song on the radio. You can't really tell a lot about that singer as a storyteller and about the singer from what they're singing.
