H. Rap Brown Quotes
Quotes to Explore
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No one has to learn to spell to talk, right? You see a little kid holding a conversation with an adult. He probably doesn't know the words he's saying, but he knows where to fit them to make what he's thinking logical to what you're saying.
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There is always pressure in football.
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First of all, I'd like to say here the fact that I'm not naturally a craftsman has made me work very hard.
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When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
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I was complexed and awkward that I was good for nothing and was always lying. I would lie to my school friends that I was a stud in my colony and to my colony friends that I was a stud in the school cricket and football teams, though I was in no team.
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Music was a big outlet for me. Being able to play an instrument and sing was definitely a good way for me to escape things I was dealing with: family issues, growing up, being a kid and not knowing what I wanted to do with my life.
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When I was first starting to write plays, I quite literally had never heard of the idea of studying playwriting. I wouldn't have studied it even if I had heard of it.
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Death is always a reality, and life is incredibly short.
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I was born in San Diego, and we moved to Los Angeles when I was seven. A couple of years later, I started acting!
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It is the end. But of what? The end of France? No. The end of kings? Yes.
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I view myself primarily as a trial lawyer who happens to be writing, as opposed to a writer who happens to be a trial lawyer, so the audience is like a jury to me.
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If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.
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I love to write.
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If people want to think I'm an Indian prince, I don't want to dispel that notion.
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Being on Broadway and getting a Tony nomination - this has been an incredible ride, from rather humble beginnings.
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The chasm between rich and poor is becoming larger, and I think it's interesting terrain to talk about and expose.
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As his talent expands, some of his stories become pointed social commentary; some are surprisingly effective religious tracts, disguised as science fiction. Others still are nostalgic vignettes, but under it all is still Bradbury, the poet of 20th-century neurosis.
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The English had hit upon a splendid joke. They intended to catch me or to bring me down.
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It is sadder to find the past again and find it inadequate to the present than it is to have it elude you and remain forever a harmonious conception of memory.
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The quicker you get acclimated to getting hit and being on the ground, it's better for you when the games start.
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I have two main bass guitars, and my main bass is a four-string 1964 Fender Jazz, and I've named it Justine.
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I'm, I guess you could say, the Chinese-speaking, banjo-picking girl.
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I am a standup comedian who has performed comedy in the Middle East in front of thousands of Muslims. And believe it or not, they laughed at plenty, especially when we poked fun at local culture. The Lebanese loved it when you would make fun of their driving and how, in Lebanon, a red light is just a suggestion to stop.
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You've got to stop dividing yourselves. You got to organize.
