Gregg Allman Quotes
I could not see myself going back into the studio without Tommy Dowd, our beloved producer who passed away in 2002. Then in 2009, Michael Lehman, my manager, really pushed me to meet with T Bone Burnett. I ended up meeting with T Bone in Memphis, and we hit it off right away; I knew he was a guy I could work with.
Quotes to Explore
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The 1992 crisis proved that the existing system was unstable. Not moving forward to the euro would have set up Europe for even more disruptive crises.
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The connection I make with being young and growing up is, like, the feeling of not being crushed by the world. Having an idea, thinking you can do it.
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I like to work all the time and really immerse myself in the project.
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I was in my mid 20s when email finally took off. Until then, the phone was my primary way of connecting with the people in my life.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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This old notion that work is drudgery is nonsense. Most days, even back when Xerox was under siege, I could not wait to get to the office.
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Groupon's model: Getting the group discount rate first, finding the group second. The daily deal goes out and, if a minimum number of people sign up, they can all share in the group rate. Vendor gets customers, customers get a discount, Groupon gets a cut.
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I started at Pixar the month 'Monsters Inc.' came out.
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If I would go up on a high note, Eddie would want a low one. That's how petty the situation had become.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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Bofors was a steelmaker that became a forgings company and then went on to build guns. Companies like Krupp and Thyssen were in steel and forgings before entering defence. There are similar examples in the U.K.; it is a natural progression.
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I did have a knack for playing weirdos. There's still sort of this perception of me out there as being this crazy guy.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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I probably prefer comedy. Why? I'm not sure. I feel like the energy of a comedy is a better fit for me. I try to be a happy guy! It seems that most of my life has the energy more for a comedy than for drama. I'm grateful to do both, but I would have to lean towards the comedy side of acting.
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I played in football games where you walk off the field and the scoreboard didn't end up the way you wanted. But you knew that you really did give it all. And the other team was too strong.
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I tried to play sports, which was a disaster and probably one of the reasons I ended up being an actress.
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If I have a choice between looking something up and making it up, I'll make it up every time.
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I grew up dancing my whole life, and I always kind of perceived that's what I would do professionally. But when I caught the acting bug, I knew I needed to go with no turning back.
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President Obama is highly concerned with education. He's a champion on early-childhood development strategies. So I like the work he's doing, and I support it, and I realise that he's one of very few political leaders around the world that actually has early-childhood development strategise at the top of his agenda.
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In his later works Doesburg tried to destroy static expression by diagonal position of his lines. But in this way the feeling of physic equilibrium which is necessary to enjoy a work of art is lost.
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He hoped and prayed that there wasn't an afterlife. Then he realized there was a contradiction involved here and merely hoped that there wasn't an afterlife.
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The history of blacks is complicated, fragmented, disturbing to contemplate - not a neat trail of challenges met or of felled trees blocking the path to the mountain top.
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I'm not homely enough to play the nerdy girl and not nearly pretty enough to play the pretty girl.
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I could not see myself going back into the studio without Tommy Dowd, our beloved producer who passed away in 2002. Then in 2009, Michael Lehman, my manager, really pushed me to meet with T Bone Burnett. I ended up meeting with T Bone in Memphis, and we hit it off right away; I knew he was a guy I could work with.
