David Duffield Quotes
I'll sweep the floors. I've picked up napkins in the men's room. I'm not above anything.
Quotes to Explore
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I think every job I do, I sort of look for the challenge in. I mean, that's why we do this job. It's not, you know, obviously not for the money or for the fame, it's for, I guess finding out more about yourself.
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Some borrowers are pretty damn good at fraud.
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I've always thought that I'm sexy in my own right, but not in a way that people thought was bankable.
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But I'm not objective when I'm acting.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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But I think we need the international market.
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I came to acting in a very circuitous way.
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They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.
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I grew up thinking it was wonderful to be big and strong and to be able to knock down other children in the playground if I needed to. But I never felt the need.
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As a scholar who regularly surveys archival material, I think that, a century from now, cultural historians will find David Horowitz's spiritual and political odyssey paradigmatic for our time.
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I think what we need, especially in publishing, is more commissioning editors and editors who are people of colour.
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The testimony and the documentary evidence produced by the Government demonstrate that the Bell System had violated the antitrust laws in a number of ways over a lengthy period of time.
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The fame that goes with wealth and beauty is fleeting and fragile; intellectual superiority is a possession glorious and eternal.
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I think that there is incredible prejudice about witches while there is no prejudice about wizards. Words are very important, and I'm really into destroying myths.
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I sort of mind living in a time when most of the literature is terribly personal. I suppose it's because I grew up on a love of history, philosophy, science and religion, but not to think too much about yourself.
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Conflict is the beginning of consciousness.
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Losing feels worse than winning feels good.
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No great work has ever been produced except after a long interval of still and musing meditation.
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I believe in Liberty for all men: the space to stretch their arms and their souls, the right to breathe and the right to vote, the freedom to choose their friends, enjoy the sunshine, and ride on the railroads, uncursed by color; thinking, dreaming, working as they will in a kingdom of beauty and love.
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For me, it is freedom, freedom from everything: when I write, I'm not a woman. I'm not a Muslim. I'm not a Moroccan. I can reinvent myself, and I can reinvent the world.
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I profoundly feel that the art of living is the art of giving. You're fulfilled in the moment of giving, of doing something beyond yourself.
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I knew that my hair was falling out and I had really weird skin. My face looked really weird and I was getting this fuzz on my face and I was always cold - always to the point of uncontrollably shaking. I was more scared that 85 lbs. wasn't good enough. I wanted to be lower.
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When I first heard it, I thought that's extremely challenging, the vocal - it was almost hysterical, and it was so up there, the register, but it was absolutely fascinating. And I know at the time a lot of my friends couldn't bear it, they thought it was just 'too much' - but that's exactly what drew me in.
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I'll sweep the floors. I've picked up napkins in the men's room. I'm not above anything.
