Bill Le Quotes
Quotes to Explore
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Prejudice is a great time saver. You can form opinions without having to get the facts.
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I've never quite worked out how to do holidays. I've got a house in France which I suppose is a kind of holiday house. But it's really only so I can go on drawing when I get there. I'm never far away from the feeling that I want to be getting on with something.
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I come bearing an olive branch in one hand, and the freedom fighter's gun in the other. Do not let the olive branch fall from my hand.
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It's really important to me that the public have confidence in their criminal justice system. We don't operate very well if the public doesn't trust us.
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When the simple word processors came in, writing became crisper, less dense - just because of the way we could instantly edit on the screen. Now the ability to mash up words and pictures and links and songs and tweets is what matters. I can't imagine what writing will be like in 2154.
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I want to help middle-school girls stay interested in math and be good at it, and see it as friendly and accessible and not this scary thing. Everyone else in society tells them it's not for them. It's for nerdy white guys with pocket protectors.
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I really miss things like going to football games and pep rallies, and when I come home to Tulsa, I always try to go to those things.
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There's no handbook for parenting. So you walk a very fine line as a parent because you are civilizing these raw things. They will tip the coffee over and finger-paint on the table. At some point, you have to say, 'We're gonna have to clean that up because you don't paint with coffee on a table.'
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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When you're shooting a TV show, there's not a lot of time to build character.
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When men are romantically interested in you, it's really simple. Just ignore everything they say and only pay attention to what they do.
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Never stop fighting until you arrive at your destined place - that is, the unique you. Have an aim in life, continuously acquire knowledge, work hard, and have perseverance to realise the great life.
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You don't actually have control of the position people want you to be in. If they say, 'You king of the blacks,' you're king of the blacks - whether you like it or not.
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The rewards of freedom are always sweet, but its demands are stern, for at its heart is the paradox that the greatest enemy of freedom is freedom.
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Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
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I was always active as a kid. I was a professional figure skater for many years and I was a dancer, so it's just been part of my life, and I think that creates a certain body type.
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There will be mental worries with the long jump before Rio, but I know I can get through it. It's just getting my confidence back. I know I have a big jump in me.
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I won't leave any unfinished manuscripts.
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One of the reasons I didn't really want to do TV earlier in my career was because it is so life-consuming, and I wanted to spend time with my kids and be a mother.
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I spent loads of time in Scotland as a kid. My dad would take us back up to Aberdeen loads, and I have very fond memories of getting chips from his favourite chippy and heading down to the beach to eat Baskin Robbins ice cream.
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My parents are so cool, so chill, super hip. They know what's up.
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Carlos Sosa, the saxophone player for Zac Brown Band, and I worked up two songs for 'When You're Feeling Sick.' They were a blast to work on. The songs are real upbeat and silly.
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After graduating from National School of Drama, I started doing theatre in Delhi. But there was not much money in Hindi theatre.
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The only rule I got is if you slide, get up.
