Kris Kristofferson Quotes
Look at me! I can go from 'Donny and Marie' to Sam Peckinpah to Radio City Music Hall in one week.
Quotes to Explore
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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New York City has no need to move on from 9/11 because, in a sense, it moved on days after, moments after.
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I don't want to put my fate in country music fans; I'm too stubborn.
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A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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It feels like Gangstarr is the purest group in hip-hop. They was shooting videos on the beach in the winter when the water was ice. Razor-blade music.
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It's all about connectivity - not just technical connectivity but geographic connectivity. That's what makes a city go.
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I was never really a Mod. I thought I was more of a beatnik with the brown corduroy jacket, blue jeans, etc. I loved the music Mods liked, and I loved the clothes, but I didn't have any money to spend on them.
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Regular martial arts is traditional, with no music and no flips choreograhed into it. But extreme martial arts is choreographed to music. It's very fast-beat uptempo, and you put a lot of acrobatic maneuvers into the routine.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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My whole musical life has been an educational process, and I'm just furthering my education and filling in the blanks. There's stuff that I want to know that I don't know.
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The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
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We're living in a time when parenting is not at all mirroring the way I was parented. For me, I just followed my parents around on their errands; when they were busy on the phone, I was quiet. It's a different kettle of fish these days: They run the house, and you listen to their music, and you go to their appointments.
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But music raises a lot of issues. Music is something that matters to people a lot, and they put a lot of passion into it. And I think when you have an area like that, you're gonna find a lot of issues coming up.
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I've always been in music. I started out in music, and I will continue to do music.
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There is no such thing as a failed soldier, dead or alive (unless he acted in a cowardly manner)-likewise there is no such thing as a failed entrepreneur or failed scientific researcher ...
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It's all about being comfortable, forgetting there's a microphone in front of you.
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Look at me! I can go from 'Donny and Marie' to Sam Peckinpah to Radio City Music Hall in one week.
