Elizabeth Warren Quotes
Quotes to Explore
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I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.
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My dad was always interested in characters he didn't understand - he was such a great bad guy in movies. And that is really the thing that calls me to the material often: something I struggle to understand in human behaviour.
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When the divine vision is attained, all appear equal; and there remains no distinction of good and bad, or of high and low.
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I like happy endings.
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I live in Ireland near the sea, only one mile from where I grew up - that's good, since I've known many of my neighbours for between 50-60 years. Gordon and I play chess every day, and we are both equally bad. We play chatty, over-talkative bad bridge with friends every week.
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Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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I've had more ups than downs in my career. All you can do is keep working. You still have to take enjoyment out of what you're doing, and things will turn, and my smile has always been there. In good moments and bad.
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When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.
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Textbook survival tells you to stay put. Stop. Wait for rescue. Don't take any risks. But there'd been a whole host of survival shows like that and I didn't really want to do that.
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From the moment I wrote 'Leaf Storm' I realized I wanted to be a writer and that nobody could stop me and that the only thing left for me to do was to try to be the best writer in the world.
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I know no method to secure the repeal of bad or obnoxious laws so effective as their stringent execution.
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Stopping bad things is a significant public service.
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When you do bad things, bad things happen to you.
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Early on in my career I had a lot of bad press about my temperament, but I was only a young lad then.
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The capture of Saddam Hussein has proven to the bad ones, to the guilty ones, to the sinful ones that they cannot run forever. Sooner or later, the other criminals will also be found from their hideouts.
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We do not project power from bankruptcy court. We're borrowing a million dollars a minute. It's got to stop somewhere.
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The minute your parents die, you stop fighting them. I realized the more I changed my face for films, the more I looked like him. I always liked to disguise myself because I was trying to run away from his image. But all that is not worth it.
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You know that book 'Quiet: the Power of Introverts in a World That Can't Stop Talking', by Susan Cain? That's like my manifesto. The older I get, the more I think I could be a hermit.
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In 'Dublinesque', Spanish writer Enrique Vila-Matas inverts the terms of Joyce's 'Ulysses' and tells the story of a man who, after living a hyperkinetic life like those of Odysseus and Leopold Bloom, resolves to never leave his room again and to reduce his mental activity to a minimum.
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If somebody writes clearly, you can pretty much tell immediately if something is shallow or deep, whereas if they write with all this duckweed on the surface, you can't tell if the stream is one inch deep or a hundred fathoms.
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If I believed in it, and it wasn't productive for the team, I wouldn't do it.
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Four soiled bedsheets sewn together to make a screen. One for spittle. One for urine. One for semen. One for blood. All for tears.
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I'm willing to throw my body in front of the bus to stop bad ideas.
