Elizabeth Wilson Quotes
In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.

Quotes to Explore
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I'm not saying anything to denigrate 'Criminal Minds'; that's a great show. I just didn't appreciate it anymore. I appreciate those people, but I realized my heart wasn't in and I needed to go because plenty of people would rip their arm off to be on that show, so they should be.
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There are people who think I should be using the position of secretary of state simply to weigh the scales on the side of my own party. I just don't accept that, and it would not be proper.
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I do not regret the part I have taken in a cause so just and interesting to mankind.
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I feel pressure, but my emotions just don't show that much in my face.
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You don't have to be desperate. Never be desperate. That is my slogan.
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It's kind of amazing that people will travel because of a book. I admire that.
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Creating things sometimes is difficult.
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Death is not extinction. Neither the soul nor the body is extinguished or put out of existence.
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I feared vulnerability more than my actual emotional pain itself!
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I quit college. I was studying architecture for about a year.
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In Europe and the United States, you've got different systems to select candidates, and no system is perfect.
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I grew up in war and saw the United Nations help my country to recover and rebuild. That experience was a big part of what led me to pursue a career in public service. As Secretary-General, I am determined to see this organization deliver tangible, meaningful results that advance peace, development and human rights.
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She looked at me penetratingly. So I suppose you can figure out what happened next.
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Having a place out of the city is a shortcut toward the mental reset I need.
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Police can only act on intelligence.
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My mom taught me to live by the three p's: to always be passionate, persistent, and prepared.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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Back when I was jamming with Axl and the guys they had boxes of cassettes with song ideas. How do you know which ones you like now when you have that many ideas.
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Look at the American history of slavery. Can you say that hundreds of years later that has been eased? That pain has not yet been eased.
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Everybody wants to identify things about a poet or about a playwright. They want to codify something or put it in terms that can be understood. We want to understand something, because that's how our minds work. We like to understand things, and it's discomfiting if we don't understand things.
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Many people who I respected were disappointed when I started 'Wine Library TV.' They thought I was dumbing down wine, but I always knew I was one of the biggest producers of new wine drinkers in the world, and people are realizing it now.
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In addition, I'm finishing a track for the movie 'Waking Up In Reno', but there are numerous other singers I look forward to recording with in the near future.
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In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.