Elizabeth Wilson Quotes
In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.
Quotes to Explore
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I'm not saying anything to denigrate 'Criminal Minds'; that's a great show. I just didn't appreciate it anymore. I appreciate those people, but I realized my heart wasn't in and I needed to go because plenty of people would rip their arm off to be on that show, so they should be.
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There are people who think I should be using the position of secretary of state simply to weigh the scales on the side of my own party. I just don't accept that, and it would not be proper.
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I do not regret the part I have taken in a cause so just and interesting to mankind.
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I feel pressure, but my emotions just don't show that much in my face.
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You don't have to be desperate. Never be desperate. That is my slogan.
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It's kind of amazing that people will travel because of a book. I admire that.
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Creating things sometimes is difficult.
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Death is not extinction. Neither the soul nor the body is extinguished or put out of existence.
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I feared vulnerability more than my actual emotional pain itself!
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I quit college. I was studying architecture for about a year.
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I grew up in war and saw the United Nations help my country to recover and rebuild. That experience was a big part of what led me to pursue a career in public service. As Secretary-General, I am determined to see this organization deliver tangible, meaningful results that advance peace, development and human rights.
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She looked at me penetratingly. So I suppose you can figure out what happened next.
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Having a place out of the city is a shortcut toward the mental reset I need.
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Police can only act on intelligence.
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My mom taught me to live by the three p's: to always be passionate, persistent, and prepared.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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I've always been fascinated by young women who come to New York. The characters in 'Lipstick Jungle' were once young women who came to New York and we see their early experiences through flashbacks.
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I don't avoid trends. You do definitely want to be on-trend, but I do like to pick and choose the things that I'm seeing. And not every trend will work on every client of mine.
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'Maze Runner' is about a group of teens that live inside this giant maze. And outside the maze are these creatures that come out at night. The centerpiece of the maze where we stay is called the Glades, and we call ourselves the Gladers.
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No one has the right to destroy another person's belief by demanding empirical evidence.
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For me, there is nothing more valuable than how people feel in a movie theater about a movie.
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In every art form, nothing exists in a bubble. It exists because of what came before it. A lot of bricks were laid. I think if it weren't for 'The Purge,' 'Get Out' wouldn't resonate as a mainstream movie. You push on the taste of the audience, in a way, get them used to something, and then you keep pushing on it.
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In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.
