Elizabeth Wurtzel Quotes
Quotes to Explore
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People who live in glass houses... have to answer the door.
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I play Nitin Sawhney's 'Letting Go' repeatedly, nonstop. I find it transformative. I'm so glad iPods were invented so I didn't have to drive everyone around me mad with the repetition.
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You can't play it safe if you want to get ahead.
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In the world of language, or in other words in the world of art and liberal education, religion necessarily appears as mythology or as Bible.
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I'm in the music business for one purpose - to make money.
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I try to be upbeat. I read this book which tells you to write down everything that you're grateful for each day. Now I'm constantly noticing all the little things that make me joyful.
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I am confident. My style of play is to control a game. You have to be smart in your brain and fast.
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The smoothest curled courtier in the boudoirs of a palace has an animal nature, rude and aboriginal as a white bear.
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I think foreign countries really do like it when American artists sing in their language. And when you go over there and say, 'Hi, how are you?' in their language, they love it. It makes them feel like you're doing it just for them. We in America take so much for granted.
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If you really want to torture me, sit me in a room strapped to a chair and put Mariah Carey's records on.
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Sure, we want to know what a president believes in... but that doesn't always mean he should tell us.
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I was married for four years, then success happened.
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I never really had a job, because I've been cycling from such a young age: there was never really a time to have a job. My mum went into Starbucks once and asked if they had a job for me, and they offered me one - but I never took it up because I couldn't fit the job in with school and cycling.
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It's always impressive when talented comedians are easy laughers or generous with their laughs.
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I can make dressing - or stuffing. Y'all call it stuffing up here, we call it dressing down there. It's really good dressing. That family recipe was passed on, and I love to make that.
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One is and is not in the centre of the maelstrom of it all.
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I don't want to participate in traditional Indian religious ceremonies - dance in a sun dance or pray in a sweat lodge or go on a vision quest with the help of a medicine man. The power of these ceremonies has an appeal, but I'm content with what little religion I already have.
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So I have people who tweet and ask me, 'You can't be this happy all the time. You can't be this cheerful.' Well, yes I am. From where I've come from and my family and what I see as real struggles in day to day life, through my reporting. I'm never going to look at challenges.
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I think I've always been afraid of painting, really. Right from the beginning. All my paintings are about painting without a painter. Like a kind of mechanical form of painting.
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My life is raw, authentic, and focused on giving back to the journey God has given me; I want to leave this earth a better place with answers and education on Lyme and invisible chronic disease.
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You have to let fear go. Another lesson is you just have to believe in yourself; you just have to. There's no way around it. No matter how things are stacked against you, you just have to every time.
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When I'm gone, people will no doubt remember me for Queen, but I would much rather be remembered for attempting to change the way we treat our fellow creatures.
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The designation of the locality in one excludes the appearances narrated by the rest; the determination of time in another leaves no space for the narratives of his fellow-evangelists; the enumeration of a third is given without any regard to the events reported by his predecessors; lastly, among several appearances recounted by various narrators, each claims to be the last, and yet has nothing in common with the others. Hence nothing but wilful blindness can prevent the perception that no one of the narrators knew and presupposed what another records.
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I am fortunate to have been well paid for an almost pathological honesty.