Ellar Coltrane Quotes
It was surreal to step out of my own existence and see how most American children experience things.

Quotes to Explore
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I think a lot of young girls see actresses, and they think of red carpets, and they think of 'Us Weekly,' and they don't really think about the breaking down of a script and what that requires and what you would need to pull it off.
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I'm confident in who I am. I've come to a place in my life where I've accepted things that are me, as opposed to feeling pressure to explain myself to people around me. That's just the way I've always tried to be. It didn't change when I became a star.
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God made a mistake with me. I'm actually black, trapped in a white body.
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I think to have the skill set and the ability to physically help others in matters of life and death must be incredibly empowering.
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I was in a really crummy pop-punk band. I think we did a whole bunch of Blink-182 covers, and we were on the fringe of losers and jocks. So we invited all the cool kids to come watch us play in our bass player's brother's bedroom. And it was terrible, but everyone thought we were so cool.
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When I got back to Madison Avenue, I realized that copywriters made more than artists, so I switched.
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Your papers are marked when you go to school, but you can't mark the character.
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I was a very focused kid. I always had this crazy lifestyle... billions of jobs, two hours of gymnastics every day, handball, anything with a ball, really. I must have had ADHD or something. I was very energetic, and very small. I didn't start growing until the last year of high school.
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I don't want people to think of me as sexy.
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I began to study martial arts because it was a great form of exercise, and I knew it would help my acting career. Martial arts reminded me of dancing. It has helped me learn fight sequences quicker.
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I'm most honest about writing when I'm talking to family or friends, not to newspapers.
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Naturally, I was a bit of a curiosity, being the first hydrogen peroxide ingestion patient they had ever seen.
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I'd been going to the Louvre since 1951. I thought I knew Paris and the French, but I didn't really. You know how easy it is to make friends when you are traveling. People are curious about you, you are curious about them. But you never really make friends that way. After the Louvre, I discovered that I have friends now because I have enemies.
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I suppose I am one of those lucky people who eats what they like and doesn't gain too much weight.
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Maybe I'm the kind of athlete who absorbs the atmosphere instead of trying to block it out.
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No actor who's any good can say truthfully to themselves, 'Yeah, I'm good; I've got this sorted.'
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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The way I look at it you can always get better.
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I have a theory that if you've got the kind of parents who want to send you to boarding school, you're probably better off at boarding school.
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When I think about the songs I might record, I ask myself, 'Can I picture anybody I know back home sitting in their truck cranking this up?'
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Our fear of hypocrisy is forcing us to live in a world where gluttons are fine, so long as they champion gluttony.
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When I had cancer - of the colon first, followed by breast cancer and a mastectomy - my motto used to be 'Drips by day, Prada by night.' I felt that I had to grasp it in the same way as you'd take on any challenge.
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Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.
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It was surreal to step out of my own existence and see how most American children experience things.