David Henry Hwang Quotes
If I do a play, it's my vision, and everybody else is working on the production to support that. If I do an opera, I feel like part of my job is to support that composer, to try and create something that allows the composer to do his or her best work. In movies, it's usually the director.
Quotes to Explore
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When companies get big, they slow down. They're not as exciting. If you want to get something done, it takes a lot of time and a lot of meetings.
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I grew up. I began to think the United States had some problems that really required the help of artistic people to solve. And I gave myself permission to be a writer instead of a civil servant.
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I would definitely like to start a family because it's the most important thing in the world and what you should take care of, along with your friends and the people you love.
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I am not reggae, I am me. I am bigger than the limits that are put on me. It all has to do with the individual journey.
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People in their 70s can still have incredible lives. Health is the most important thing.
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Instead of hazarding our future on the dirty fuels of the past, let's invest in clean power that can drive this country forward. Let's cut energy waste, make our economy the world's most efficient, and give our workers a leg up in the global marketplace.
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We are not angels, we are merely sophisticated apes. Yet we feel like angels trapped inside the bodies of beasts, craving transcendence and all the time trying to spread our wings and fly off, and it's really a very odd predicament to be in, if you think about it.
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We want to allow Costa Ricans to make a qualitative leap in our development and go to an economy based on innovation and developing a broadband infrastructure in order to overcome the barrier of 15 per cent penetration.
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Eazy-E is going to remain Eazy-E. But I will not portray Compton as a bad city.
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If transportation technology was moving along as fast as microprocessor technology, then the day after tomorrow I would be able to get in a taxi cab and be in Tokyo in 30 seconds.
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Don't feel sorry for me. I've had a great life, great friends.
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It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
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Life is a journey that must be traveled no matter how bad the roads and accommodations.
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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I don't know why, but I respond well to tortured characters.
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I think a child requires initial years of a mother's attention, which is very important, and I did it without any thought in the world. That's what I wanted to do.
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When you decide to do this kind of music then you just accept the facts.
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When I was 23, I founded an organization called Dress for Success, which is now in more than 100 cities in 8 countries and has helped a million women transition from welfare to work.
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A relationship has to be cultivated. There have to be feelings of love for another first. But then you have to really like the person.
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I write when the urge hits me, getting the words down as fast as I can type and then I step back from what I just wrote and start a dialectical process where I begin challenging my own writing.
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When a man counts one, two, three, he is not only doing mathematics, he is on the path to the mysticism of numbers in Pythagoras and Vitruvius and Kepler, to the Trinity and the signs of the Zodiac.
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The Gorillaz cartoons seem more real to me than the actual people on TV. Because at least you know that there's some intelligence behind the cartoons, and there's a lot of work that's gone into it, so it can't all be just a lie.
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Negotiating the adolescent stage is neither quick nor easy. . . . I have often said to parents, "If it isn't illegal, immoral, orfattening, give it your blessing." We do much better . . . if we find and support all the places we can appropriately say yes, and say only the no's that really matter.
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If I do a play, it's my vision, and everybody else is working on the production to support that. If I do an opera, I feel like part of my job is to support that composer, to try and create something that allows the composer to do his or her best work. In movies, it's usually the director.
