Mark Schultz Quotes
Me and my brother lived in kind of a shed behind our house, and it was cold. We really lived kind of a dirty existence. It was tough to move away from my father and grandfather in California. I wore socks that were so dirty they were hard and black, and I would go into the lost and found box at school and look for clothes.
Quotes to Explore
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I was in San Francisco for 'Trauma' and then got back to town and got situated and started looking at things and passing on things. I think I was around for a month and a half, and there were other projects that were up, but it's all a waiting game. And then, 'The Vampire Diaries' came up, and I was really interested and read for it.
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At first, I found the music I was making really hard to find a home for. I felt like my attitude was really British, but not the actual sounds I was making. Back in 2003, when I made 'Galang,' there were no clubs that had an 'anything and everything' attitude.
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We were taught manners and we had to do our chores - Katie and I grew up as normal kids.
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I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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I've never had to pitch a movie to a studio. I usually just let people read the script, then I cast it. I always think pitching is for baseball.
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When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?
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The better the information it has, the better democracy works. Silence and secrecy are never good for it.
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Hollywood would make a holocaust an animated comedy if people would pay to see it; they don't care... they just want your money.
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I started making music with my band in the '80s, so I am more product of post punk than classical music, and I have always carried on this way.
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It is typical of women to fester and ferment over disappointments, slights, annoyances, angers, etc.
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The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
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Open-source encyclopedias such as Wikipedia and search engines such as Google and Bing, which people can tap into anytime and anywhere via computers and smart phones, put a world of knowledge at our fingertips at a lower cost than ever before.
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I have had the good fortune through my God that I should never abandon his people whom I have acquired in the extremities of the earth.
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In the finance world, we used to spend all of our time looking backwards, reporting on what happened. Can I book it? What are the numbers? Now it's about looking into the future. It's about planning and integration. The role of finance is now that of a partner in the business.
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You can't spend your life beating yourself up for something that happened yesterday. You die if you don't follow your desire.
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The latter 1940s and early '50s were a time of tense, explosive conflict, in the world at large and in the politics of our nation.
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You can cage the singer but not the song.
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Well, it's taken a long time to get the Department of Homeland Security established. It's taken a long time for the Congress to decide how much it wanted to fund.
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We cannot make the world safe for democracy unless we also make the world safe for diversity.
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I liked Edinburgh as a university in a way that I'd never enjoyed King's College London. I realised after I came to Edinburgh that perhaps it was a mistake to have gone to a college which was bang in the centre of a vast city. It had a bad effect on the social life of the students because a lot of them were commuting from outer London.
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I wrote my first book when I was in my late thirties.
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That men should ‘turn the other cheek,’ should ‘love their enemies,’ should ‘resist not evil,’ has ever seemed fine to teach to children, to preach on Sundays, to round a period in a senseless oratorical flight; but it has been taken for granted that these sentiments cannot furnish the real foundation for strong characters or great states. p. 13
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I do a little bit of minimal brow wrangling myself. I get the strays out of the way.
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Me and my brother lived in kind of a shed behind our house, and it was cold. We really lived kind of a dirty existence. It was tough to move away from my father and grandfather in California. I wore socks that were so dirty they were hard and black, and I would go into the lost and found box at school and look for clothes.
