David Hockney Quotes
In the end nobody knows how it's done - how art is made. It can't be explained. Optical devices are just tools. Understanding a tool doesn't explain the magic of creation. Nothing can.
Quotes to Explore
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Well, one of my favorite ones to work on - besides just about any scene from 'Deadwood' - was my scene with Brad Pitt in 'Assassination of Jesse James'. That was just a fun day.
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
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During a movie, chemistry is so important, and yet they just assume actors can fake their way through it. That doesn't always work.
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The reason that the all-American boy prefers beauty to brains is that he can see better than he can think.
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Each person is living for himself; his own happiness is all he can ever personally feel.
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I love India.
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The motivation should come from regulatory enforcement, but enforcement is weak, and environmental litigation is near to impossible. So there's an urgent need for extensive public participation to generate another kind of motivation.
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I never see things I make in the same way that the audience does. You can never do that.
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I have a cousin who is a spiritual advisor for Native veterans in Canada, so I'm very familiar with the history of Natives in the military. And growing up as an American Indian myself, the story of Ira Hayes is one that is often told.
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We do take pride in how we look, but it's really just like, take a couple minutes, and you're ready to go.
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As far as expectations go, you can never work for expectations. You have to work against them.
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Honour sinks where commerce long prevails.
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There are things that bother me. I try not to let them, but they do.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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Our music comes from our hearts - and it always has.
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In Edna, I created a satiric portrait of my hometown of Melbourne, a large provincial English city paradoxically in far Southeast Asia. She's a theatrical figure, related to vaudeville in some respects. She inhabits a world in which there are comparatively few female exponents of comedy.
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For me, the labor movement and public education are linked as the essential building blocks to a strong middle class and a path to the American dream. It's why I went to Cornell's School of Industrial and Labor Relations as an undergrad and then to law school.
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You have to come in on a professional level to make it, otherwise you just can't get into rap.
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If you can contribute 45 minutes - one hour a day a week exercising, you're going to be a healthy person. You can cut down on diabetes and all of these manmade problems we have. I do embrace the fact that I can maybe be a voice for people to realize that it's not as hard that people think. I'm a pretty passionate person.
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Playing with Phil Mickelson, it doesn't get any better than that.
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Literally, I look back on it now, and I often think to myself, 'Karamo you should have done better.' But that's the thing: when you're in that dark space, you can't do any better. And it's for people around you to say, 'You know what? I need to check in with you and be there to support you.'
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Now that I'm older, I like almost anything that's done well, even surf music and instrumentals; I really enjoyed the interviews with the Ventures in your magazine.
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Delayed energy projects and regulatory hurdles to domestic oil production not only cost the United States economy billions of dollars and millions of jobs, but they also stand in the way of an elusive goal: true American energy security.
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In the end nobody knows how it's done - how art is made. It can't be explained. Optical devices are just tools. Understanding a tool doesn't explain the magic of creation. Nothing can.
