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When you are older, you realise that everything else is just nothing compared to painting and drawing.
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The moment rules over everything.
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I had always planned to make a large painting of the early spring, when the first leaves are at the bottom of the trees, and they seem to float in space in a wonderful way. But the arrival of spring can't be done in one picture.
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And then I went round the corner and there's a Van Gogh portrait, and you just think, well, this is another level. A higher level, actually. I love the Sargent, but it's not the level of Van Gogh.
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I made a photograph of a garden in Kyoto, the Zen garden, which is a rectangle. But a photograph taken from any one point will not show, well it shows a rectangle, but not with ninety degree angles.
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Easel painting means small painting.
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Listening is a positive act: you have to put yourself out to do it.
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A belief is like a guillotine, just as heavy, just as light.
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I paint what I like, when I like and where I like.
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Laugh a lot. It clears the lungs.
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I'm not going to stop painting just to take orders.
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I grew up in austerity in the 1940s and 1950s.
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Tragedy is a literary concept.
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I'm fed up with being bossed around.
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I live wherever I happen to be.
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I've always wanted to be able to paint the dawn.
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But, I would always be thinking of how pictures are constructed and colour, how to use it, I mean you're using it for constructing, makes you think about it, the place did as well.
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Any artist will tell you he's really only interested in the stuff he's doing now. He will, always. It's true, and it should be like that.
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I'm not antisocial. I like people.
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A lot of people, given the chance, would blow up everything, and you and me.
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I haven't stopped painting or drawing - I've just added another medium.
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Cubism was an attack on the perspective that had been known and used for 500 years. It was the first big, big change. It confused people: they said, 'Things don't look like that!'
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Art has to move you and design does not, unless it's a good design for a bus.
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I've started painting much more freely, and faster. I think it's working in the theatre that did it. You know what the Glyndebourne scene-painters said about my The Magic Flute? They said they had to wear sunglasses to paint it.