Ferdinand Foch Quotes
(perhaps a different and better translation of the same remark) quoted by Barbara Tuchman in The Guns of August (Random House, 1962)
Quotes to Explore
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout the filming.
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As much as I don't want to admit it, my fans are the only ones that can hurt my feelings when they're not pleased with what I'm presenting. I want it to be perfect for them. I want them to have a different sense of pride in my music.
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To die is different from what any one supposed, and luckier.
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I have a whole closet in my house that's dedicated just to jackets and coats, stuff that I've collected over the years.
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Generally, I like making my own mistakes and learning from them because that's what I think life is about.
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My dreams were always small and puny. All I ever needed was a little house with a little picket fence by the sea. Little did I know that I would live in Malacanang Palace for 20 years and visit all the major palaces of mankind. And then also meet ordinary citizens and the leaders of superpowers.
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I have never believed in comparisons, whether they are about different eras, players or coaches.
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The first time I went to Johnny Depp's house in LA is when I realized what I was getting myself into. I knew he was famous, but I didn't really know what that entailed.
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It's just funny that Americans have to contend with 2000 channels, and 60 different specific news sources, and the confusion that it creates, and the junk that we get to see is hilarious.
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People tend to think they know you when you come into their televisions every week. They think you are different than who you are. Don't believe everything you hear.
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We have developed overlays for the keys of the cash registers with the help of the Braille Institute, so that blind crew members can take orders and help our guests.
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I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
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I do believe that there are creative chakras or different sorts of energy centers.
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I'd like to do some things over again. I never want to repeat anything that went well, though - I just want to do better at slightly different things.
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When I look back on my career, I go, 'This is really great, I've played so many different women.'
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Having the ambition of becoming Olympic champion is a whole different ambition from wanting to be the greatest.
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Usually I'm pretty myopic. It's hard for me to multi-task, so to speak. If I'm in a show and I'm creating a character, I'm just completely into that. It's really hard for me to do anything else like write music. I have to sort of shut down different sides of my head and just focus.
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When the world changed, people were different. Towns closed, cities were boarded up, communities abandoned, their governments collapsed. They seemed to have no qualms that were obvious to you or me about walking away from what they called a useless pile of rubbish, and never looking back.
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Something I notice speaking to writers from south of Hadrians Wall is that the culture is different. At base, I think Scotland values its creative industries differently from England.
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The other day I was thinking - because I get a lot of headaches - I was wondering whether the head should be where it is. Because, at the end of the day, it's probably the heaviest part of your body, right? And yet it's at the top as opposed to, I don't, dangling at the bottom somewhere.
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In really, really good science fiction, the line between the science and the fiction is blurry.
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To me, the zombies have always just been zombies. They've always been a cigar. When I first made 'Night of the Living Dead,' it got analyzed and overanalyzed way out of proportion. The zombies were written about as if they represented Nixon's Silent Majority or whatever. But I never thought about it that way.
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(perhaps a different and better translation of the same remark) quoted by Barbara Tuchman in The Guns of August (Random House, 1962)
