David Korten Quotes
Wall Street sees a social fabric or social contract as inefficiencies, which need to be removed.
Quotes to Explore
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The last episode of Dallas was in '1991.' Unfortunately, it was a terrible episode to end the show on: it was a sort of 'It's a Wonderful Life' with Larry as the Jimmy Stewart character. In that episode, I was an ineffectual-schlep kind of brother, who got divorced three or four times and was a Las Vegas reject.
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If you can play live and support yourself, it's one of the few ways you're going to actually get paid in this business these days.
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Salvation for a race, nation or class must come from within.
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All art is exorcism. I paint dreams and visions too; the dreams and visions of my time. Painting is the effort to produce order; order in yourself. There is much chaos in me, much chaos in our time.
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Pakistan is alarmed by the rising Indian influence in Afghanistan, and fears that an Afghanistan cleansed of the Taliban would be an Indian client state, thus sandwiching Pakistan between two hostile countries. The paranoia of Pakistan about India's supposed dark machinations should never be underestimated.
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I guess actors are very sensitive people. We're porous.
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I'm trying to go with the flow, which is not what I used to do. I used to try to micromanage my career choices.
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If you want to be a voice for peace in the world, begin by making peace a permanent condition of your own life.
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I am convinced that military action will not prevent further acts of international terrorism against the United States.
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I think the skin is the most important thing. If you take care of your skin, you don't really need much makeup.
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If there is still an American dream, reading is one of the bootstraps by which we can all pull ourselves up.
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In business, every phase of things counts. Companies that just yell out a low price today to win business aren't going to make money in the long term.
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Any acting is a stretch of the imagination. That's your job. Acting is truth in imaginary circumstances. Acting with green screen or a motion capture stage, you're striving for absolute truth in absolutely imaginary circumstances.
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I am happy in Paris.
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When it gets down to it, basketball is basketball.
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I'm very bad at ending sentences. A lot times I just want to say, 'That's the end of my sentence. I have nothing more to say.'
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It's nice to be in a situation where the two books that I write for a sort of regular monthly income are also works that I enjoy immensely, rather than them being some kind of bread and butter, do it because you have to do it.
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As a producer, the most important call you can get is on Saturday morning, when the Friday-night grosses come in. As a director, you want your film to be successful. But your outlook is a bit different. You become very conscious of the reviews.
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When it comes to meetings and preparing for that, it doesn't matter if it's a meeting with the U.N.; with a large operator, CEO, or chairman; or if I have an internal meeting - in all cases, I know that the energy and the engagement in every discussion is extremely important.
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I've been inspired by Coco Chanel. She broke all the rules of her time when she was designing. She pretty much revolutionized the way that women dressed at the time, and in doing that, she modernized the way they looked because they could move more freely in their clothes.
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My work is all about how we consume. To me it's important to know where things come from. Generally, our products today are so cheap, you know there's something wrong. Things are not made in a good way. I want to make things that are. I want to make the story behind products visible.
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Over the next decade, there will be disruption as significant as the Internet was for publishing, where blockchain is going to disrupt dozens of industries, one being capital markets and Wall Street.
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I find myself evil. I believe in the devil as much as God. You can use either one to get things done.
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Wall Street sees a social fabric or social contract as inefficiencies, which need to be removed.
