Bill Murray Quotes
I've never made any horrible, horrible movies. If you don't ruin your reputation, you can always get work.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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It is obvious that the monetary union among 17 very different European countries does not work. As an economist, I know that the Eurozone is not an optimum currency area, as defined in economic theory.
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I've made all my money on my own without my family and I work very hard.
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But all over Ohio - all over America - men and women are going back to work with the pride of building something stamped 'Made in America.'
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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My children and my husband make me smile. My work makes me smile.
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Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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I go running three times a week - outside in the park, come rain or shine, and I hate every moment of it. I hate everything about it. But I know it's important for health reasons and the reason why I run, in particular, is because my stage work is like cardiovascular work so I don't want to lose my breath on stage.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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The reader has to be creative when he's reading. He has to try to make the thing alive. A good reader has to do a certain amount of work when he is reading.
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I have always believed in quality work.
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Red carpets and dressing up are a part of work that I enjoy less than some people.
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I work out, and I try to stay active and fit so I can enjoy certain foods that I like to eat. I try to keep everything in moderation. I used to be insane about it.
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Oh, the first dish I learned to make, I think I was about 10 years old, I made my dad spaghetti and broccoli for dinner when he got home from work, and it was, like, a surprise.
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I did a bit of baby modeling. I loved it.
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Hate generalizes; love is particular.
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When I wrote 'Home Safe,' I wanted to look at a number of things: the mystery and joy and pain of creativity. What happens when a vital safety net is suddenly removed. The difficulty some people have in growing up. The way a deep love can be as crippling as it is satisfying. But mostly, I wanted to look at the mother-daughter relationship.
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I've never made any horrible, horrible movies. If you don't ruin your reputation, you can always get work.
