Bill Murray Quotes
My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, 'That's it-let's get the hell outta here.'
Quotes to Explore
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I believe in the institution of marriage and it's like a tag to cement the relationship for your friends, family and public.
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No religion makes more use of color than Hinduism, with its blue-skinned gods and peony-lipped goddesses, and even the spring festival of Holi is focused on color: Boys squirt arcs of dyed water on passersby or dump powder, all violently hued, on their marks.
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The genius of a good leader is to leave behind him a situation which common sense, without the grace of genius, can deal with successfully.
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The only thing that permits human beings to collaborate with one another in a truly open-ended way is their willingness to have their beliefs modified by new facts. Only openness to evidence and argument will secure a common world for us.
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On the other hand, all kinds of adventurous schemes to add security checkpoints to subway and bus systems have been circulating since the London attacks. This is nonsense. No one can guaranty 100 percent security.
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In Art, man reveals himself and not his objects.
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All of these mechanisms we have for celebrating are so double-edged. So much sorrow comes out of joy.
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Vulnerable young women are being brainwashed by the radical lies of ISIS militants in the Middle East.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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When I throw a ground ball, I expect it to be an out, maybe two.
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Interdependence is and ought to be as much the ideal of man as self-sufficiency. Man is a social being.
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The great thing about writing compared to life is getting to tie things up.
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The teaching thing, the one where I have to impart my knowledge, is probably what comes the least naturally to me because I'm an absorber of things.
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I never really got paid for 'Tell It Like Is,' but I look back at it and say God knew what he was doing; he probably figured that if I had got money back in them days, I wouldn't be here now. That's okay. I'm here. And I'm still singing the song.
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I will tell you that when I was heavy, people would say to me – and it was such a backhanded compliment – they would say, 'You've got such a beautiful face,' in the way of, like, 'Oh, isn't it a shame that from the neck down you're questionable.'
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When I was a kid, I wasn't making my choices based on anything other than 'Did I want to work that day?' or 'Did being in school sound more fun?' And I don't remember ever reading a script and thinking, 'Is this going to be a fun part to play?'
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In the '80s, I got tired of the rat race. It was a terrible time for music. I wasn't part of that whole MTV craze. I did 'Go Ahead and Rain,' which was Madeleine Stowe's first bit, but felt no connection to it. I went many years where I didn't have to work.
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I enjoy playing characters where the silence is loud.
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Contemporary Swedish artists that chose Swedish as their language tended to sing about certain topics and use words I wanted to avoid.
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When I was 19 years old, I wrote my first book. I took a computer science class, and the book was garbage. I thought I could write a better one, so I did.
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I watch a film and the most important thing to me is what I think of the movie.
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My dream role would be to play a femme fatale in a Quentin Tarantino movie.
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I mean, it was a mummy movie. It was a good film independent of its source. It that looks like Lawrence of Arabia on steroids in a lot of ways.
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My first movie, I got nominated for a Canadian Oscar-for Meatballs. For MEATBALLS. And who am I up against? George C. Scott. So he wins the award and I stand up and go, 'That's it-let's get the hell outta here.'
