David LaChapelle Quotes
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...

Quotes to Explore
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Success depends almost entirely on how effectively you learn to manage the game's two ultimate adversaries: the course and yourself.
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A busybody's work is never done.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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If there's a trait for not sleeping, I probably have it.
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What people say isn't going to stop me. I have to do things for myself.
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Psychoanalysis is out, under a therapeutic disguise, to do away entirely with the moral faculty in man.
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I left Beijing in 1987, shortly before my books were banned there, but have returned continually.
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I technically have two last names, which is a lot of fun when you're making airline reservations.
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I took religion much too seriously, however, and its overall effect was depressing. I would have really liked to discard it, but somehow I couldn't.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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The benefits of education and of useful knowledge, generally diffused through a community, are essential to the preservation of a free government.
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I see genres as generating sets of rules or conventions that are only interesting when they are subverted or used to disguise the author's intent. My own way of doing this is to attempt a sort of whimsical alchemy, whereby seemingly incompatible genres are brought into unlikely partnerships.
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I was at 260 at Tennessee because I was playing three-technique.
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Dance is something which I like to do, but acting is my passion. I would like to do good and meaty roles.
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I love just walking around New York. It's like a whole world in one place.
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I had to figure out how to bring the world into my work.
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The National Flood Insurance Program is a voluntary program. If a community really feels that the building insurance requirements are too burdensome, they don't have to participate.
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When I record something, I'll take a drive and just listen.
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I don't enter into particulars with Ennio Morricone. I give him the feeling and the suggestions of the characters.
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Because my master was this renaissance man, I wasn't just learning a fighting style, I was learning how kung fu permeates all aspects of life, from eating to healthy living to mental state.
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Inhumanity is the keynote of stupidity in power.
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[Mrs. Allen was] never satisfied with the day unless she spent the chief of it by the side of Mrs. Thorpe, in what they called conversation, but in which there was scarcely ever any exchange of opinion, and not often any resemblance of subject, for Mrs. Thorpe talked chiefly of her children, and Mrs. Allen of her gowns.
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A woman of generous character will sacrifice her life a thousand times over for her lover, but will break with him for ever over a question of pride.
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I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...