David Leavitt Quotes
Quotes to Explore
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Try letting a Kindle protect your heart from sniper fire!
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I'll tell you why I like writing: it's just jumping into a pool. I get myself into a kind of trance. I engage the world, but it's also wonderful to just escape. I try to find the purities out of the confusion. It's pretty old-fashioned, but it's fun.
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Life isn't about quantity, it's about quality.
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To be able to make decisions and see them come to fruition and feel the excitement around them, what it generates within the company, how the artists get motivated - that's the most rewarding part; feeling I can be a catalyst for an artistic experience for our artists and for the public.
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No policy that does not rest upon some philosophical public opinion can be permanently maintained.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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Of course it's fantastic to have bands formed in garages, but there is a market for other types of music.
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Why do two colors, put one next to the other, sing? Can one really explain this? no. Just as one can never learn how to paint.
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Like funny men, skilled diners are apparently perceived to have an evolutionary advantage.
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Story and plot, not historical facts, are the engine of a novel, but I was committed to working through the grain of actual history and coming to something, an overall effect, which approximated truth.
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I train to fight five rounds, but if we can end the fight in the first round, it's even better.
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I like new challenges and new experiences.
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I dare to do things - that's how I survive.
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I think Shakespeare is like a dialect. If I heard a broad Scots accent, I'd probably struggle at first but then I'd start to look for words I recognise and I'd get the gist. I think Shakespeare is like that.
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'General Hospital' was so massive in the 80s and that's when people my age or even younger watched that show. A generation grew up on that show, Luke and Laura, I came in on the cusp of that so there's still a lot of 'Frisco.'
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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Hopefully, one day I won't have to be so caught up in all of that day-to-day, the Twitter and the Instagram. But I also would like to, at some point, turn off and take a break and also be, like, an artist.
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Problems do not go away. They must be worked through or else they remain, forever a barrier to the growth and development of the spirit.
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'South Pacific' - I really learned a lot. I swear I like to say that during 'South Pacific,' I went from being a girl to being a woman.
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We’ve been trained to prefer being right to learning something, to prefer passing the test to making a difference, and most of all, to prefer fitting in with the right people, the people with economic power. Now it’s your turn to stand up and stand out.
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I like to balance competing with studying. It's hard work at the moment, but it could be worse.
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I keep my children safe and protected from all my baggage. They get to have a normal childhood, and they're not affected by my life.
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Childhood is a fundamental part of all human lives, parents or not, since that's how we all start out. And yet babies and young children are so mysterious and puzzling and even paradoxical.
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Childhood smells of perfume and brownies.
