David Lindsay-Abaire Quotes
Quotes to Explore
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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First, how do we give everyone a fair shot at opportunity and security in this new economy? Second, how do we make technology work for us, and not against us - especially when it comes to solving urgent challenges like climate change? Third, how do we keep America safe and lead the world without becoming its policeman?
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The way I work is by infinitely playing a very simple loop over and over, and then I start layering things.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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I accepted the interviews and encounters that had to be held with the media, but I would have preferred to work in peace.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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The laws of God, the laws of man he may keep that will and can; not I: let God and man decree laws for themselves and not for me.
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You have to work with the auto industry, the oil companies, you have to work to develop renewable fuel, whether it's solar or different kinds of fuel or whatever.
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My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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The Marine Corps is some of the best acting training you could have. Having that responsibility for people's lives, suddenly time becomes a really valuable commodity and you want to make the most of it. And for acting, you just have to do the work, just keep doing it.
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All the stuff that you visualized that was going to work so beautifully, you discover is trashed, so you jump to something else.
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I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.
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I have reaffirmed my political will to work towards national unity.
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Music really gets me going, so I've always got to make sure I have my iPod to give me energy to work out.
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When I was leaving Yemen to come to America, things were tough. My dad had just been laid off, and it was a challenge. When I lived in Yemen, I thought America was a perfect place. Everything was bigger and better. I dreamed big. The American dream, you know? You have to work hard for your dream to come true.
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I work hard and support myself.
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It's hard separating work from personal life.
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I went to all the shops in the village looking for work. I didn't have any qualifications. I ended up working in a grocery shop for about a year and then went to a confectioner, where I earned three pounds 10 shillings. I gave the money to my mother and father, but I also managed to save five shillings a week.
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What we witnessed in Ferguson, in Baltimore, and in Baton Rouge was a collapse of social order. So many of the actions of the Occupy movement and Black Lives Matter transcend peaceful protest and violates the code of conduct we rely on. I call it anarchy.
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I feel like it's improving a little bit as we go on, but I've never been to Lilith Fair. It always seemed so cool that it was started by women, for women, and it was a safe place to go and hear all of your favorite female acts in one space.
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I don't want to work on a musical if I'm not the lyricist.
