Kristian Bush Quotes
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The first time I toured the U.K. was in the early '90s with Billy Pilgrim, so I know how much the people there love music.
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Billy Pilgrim music is very emotional. It's one part the craft we learned from people like the Indigo Girls and R.E.M., and one part the Tom Waits craft, where you're trying to create a moment.
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There's an identity thing that goes on where you spend so much time caring for your child that, after a year or so, you have to shake it off and go, 'Who am I?'
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I believe that melody is such a lost part of music and country music. People are either scared of it or not using all the colors that are available.
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You will do things in private and sing in private and make choices in private that you wouldn't make if you were observed.
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I always tell people that it's so much harder to make a happy song than a sad one.
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My kids don't listen to me when I preach at them. But if I tell them a story they can pull something from, that matters.
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There is a misconception that I've experienced in my life about people that live in the South. I got sent away to school in Connecticut in the late Eighties, and kids were honestly asking me, 'Do people there wear shoes?'
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I believe the biggest challenge is just getting the courage to try something different or new. Try to forget the stereotype in your mind. Yoga is for everyone - children, athletes, moms, dads, accountants, truck drivers, even country stars.
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I'm not necessarily in a vocation where I'm at risk; it's not like I'm a police officer. I'm a musician, so when I leave home, my family expects me to come back.
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I come from a food family, so you would think that I would be great at making baked beans or something, but I'm not.
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As soon as I saw tattoos as a way to tell your story, I thought, 'Oh my gosh, I totally get it.' So I got my first tattoo a couple of years ago, and it's the word 'hope' on my left arm. It has a couple of dots at the end for each of my kids.
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I love writing music for film and TV, but putting it into a video game is twice as fun because it needs to be repeatable and joyous.
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You find your limits by going out and trying. We're just like anybody else in any other job. You just can't work 90 hour weeks. You can't do it. We can't sing seven days a week.
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It's a very sad thing to do, to divorce.
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Each kind of generation of bands forgets how they got here. Waylon Jennings came out and they're like, 'That's not Patsy Cline.' And everyone panicked, like, 'I don't know what happened to country music, but this isn't it.'
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My father was an officer in the Army, and my grandfather served in World War II, and I am so proud of their service. I'll always do whatever I can to support our troops.
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As a promoter, of course, you'd really want the people who pay for the tickets to come into your venue to really be even more connected with the band.
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When I got my record deal at Atlantic, at the time, 'indie' wasn't a style of music: it was a kind of label. And I think, eventually, the bands that ended up on those labels began to be branded as 'indie bands,' and then it became a genre.
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I've always tried to put a little message in my music.
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I spent 25 years clearly understanding that I'm not gonna meet Bono or the Edge. But then it happened at the Grammys when we were all backstage and I just about fell out of my shoes.
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It's a great place to be as an artist: if you confuse your label, you're doing your job.
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It's hard not to go back and look at my songwriting catalog and go, 'Look, there are 600 to 700 songs here.'
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You do things for your kids you won't do for yourself.