Kriti Sanon Quotes
Quotes to Explore
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I am completely in favour of dialogue and engagement. But it must be a true, open dialogue.
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'Mean' is a song I wrote about somebody who wrote things that were so mean so many times that it would ruin my day. Then it would ruin the next day. And it would level me so many times, I just felt like I was being hit in the face every time this person would take to their computer.
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Between Prince and my dad's fusion-jazz records, I didn't have a choice in being funky.
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Keeping your space clean is as much a part of the end result as the dish being tasty.
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I often think about death, and it saddens me to leave this world and not be able to paint more. I love it so much.
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Give me the fruitful error any time, full of seeds, bursting with its own corrections. You can keep your sterile truth for yourself.
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I want people to learn what democracy means.
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I'm saying that the depth of exploration of the male psyche and the female psyche is uneven. I see further, deeper renderings of what it means to be a man.
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My goal is to always be improving my skills.
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Only very intelligent people don't wish they were in politics, and I'm dumb enough to want to be in there.
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My grandmother got her law degree from Syracuse University in roughly 1911 and later co-founded with her husband an investment banking firm on Wall Street known as Lebenthal & Co.
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I love helping out good people who are doing good things.
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Abatement in the hostility of one's enemies must never be thought to signify they have been won over. It only means that one has ceased to constitute a threat.
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The early Billy Joel stuff I fell in love with, like Glass Houses, is a real rock record.
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Always do what you are afraid to do.
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When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.
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As far as I'm concerned, I want to remain the mean little man I always was.
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I was not a great guitarist, so I sold my 1960 Fender Stratocaster in exchange for a Shure Microphone, made in Chicago, and a flute.
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And your work reflects a tradition that runs through our history - a belief that we’re greater together than we are on our own. And that’s what I’ve come here to talk about today.
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All of us, we are not one thing: we're always between two worlds, and the idea of not being sure is very appealing to me.
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FISHER SEES STOCKS PERMANENTLY HIGH
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I don't like to limit myself as an actress.
