Natasha Little Quotes
Quotes to Explore
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That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound.
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A horse never runs so fast as when he has other horses to catch up and outpace.
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Fortunately during my career I have won more or less everything, so I need to enjoy it to have the right motivation.
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I don't know what love means.
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I was born in San Diego, and we moved to Los Angeles when I was seven. A couple of years later, I started acting!
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When talking about writing, I often use the analogy of archaeology. There are these great tunes all around. Your skill as a musician allows you to pick them out without breaking them.
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Follow me around. I don't care. If anybody wants to put a tail on me, go ahead. They'd be very bored.
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I haven't leaked anything to anybody. They are wrong!
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One of the great things about Sydney is that it has a great acceptance of everyone and everything. It's an incredibly tolerant city, a city with a huge multicultural basis.
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I don't prepare for anything very well. I am not a good actor. I don't read scripts.
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The ultimate goal of therapy... it's too hard a question. The words come to me like tranquility, like fulfillment, like realizing your potential.
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Playing the priest on 'Oz' was a fantastic experience. I was very lucky.
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Dad was an amazing storyteller and illustrator, which he did in his spare time - very inspiring and dramatic.
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I think we all carry the seeds of our own destruction. You really have to be aware that just because something is good, it doesn't mean it's not going to trigger a self-destructive impulse.
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Awards are not something that I measure my work by. I've been so fortunate and I've gotten to do such terrific things that it seems petty to look back and say, 'Oh, I should have gotten that prize.' I don't look at it that way.
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Gags die, humor doesn't.
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Brick-and-mortar at the end of the day matters because viral is great, but it comes and goes as fast.
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I had gone full-on folkie; I'd had it with bands.
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I was just the perfect person to play the Mini-Me character.
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Their problem was how to adapt English principles and precedents to the new conditions of American life, and they solved it with singular discretion. They put as many obstacles as they could contrive, not in the way of the people's will, but of their whim.
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Any competent actor could have done what I did.
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You get to a point where you really can't manage more artists, because representing artists takes a lot of time.
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Being an actor does make you aware of your age.
