David Maisel Quotes
I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.
Quotes to Explore
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Yeah I'm still writing. I've got about 14 tracks now. But we've been on tour so we haven't had time to get back to a rehearsal place.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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A potlatch is similar to a court case in that both are prohibitively expensive; both involve lengthy speeches and the vigorous examination and debate of the actions, rights and legal responsibilities of the participants. One has food, singing and spiritual rites; the other, not so much.
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Self-censorship is a lie to yourself; if you are going to be trying to seriously create art, to create literary art, and you decide to hold back, to censor yourself, then you are a fool to yourself and it would be better that you kept your mouth shut and did not speak.
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I don't care about what people might call my style. It's just like when people call my music 'jangly,' 'dream,' 'oceanside,' whatever - I don't care. I'm just wearing whatever I can scrap together.
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I'm smart enough to know to work with smart people.
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Hitting .400 is something you can do by yourself. But you have to rely on guys getting on base at the right time to drive in that many runs.
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I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
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I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.
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I think I've paid my dues. I've really put in a lot of time on set.
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The Assembly has witnessed over the last weeks how historical truth is established; once an allegation has been repeated a few times, it is no longer an allegation, it is an established fact, even if no evidence has been brought out in order to support it.
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Perhaps at some time in the future, when you ask a friend to come up and look at your etchings, you will plug in your collection of video art.
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There's something to be said in favor of working in isolation in the real world.
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President Mandela was not a hands-on president at any time.
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What thoughts are to the individual, art is to the community as a whole. That's where you reflect on who you are, who you hope to be, what you've gone through, and where you hope to go.
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You can't give the government the power to do good without also giving it the power to do bad - in fact, to do anything it wants.
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I got behind that pencil and nothing happened for many years, but since they put me in the Songwriters Hall of Fame, I've turned around. I took a good look at myself and said, I think it's time to get back at work.
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There's a danger in romanticizing what it means to be a writer. Because what it really means is hard, hard work. It means tearing your hair out. Feeling like your head is about to explode.
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Every time has its own Hamlet.
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I love to draw and paint. I'm very active in that way, but I'm not very good with the written word, though.
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I'm always sorry to finish a book, to let go of characters I love, people I've struggled to understand for years, people who evolve before me.
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There are no wishy-washy astronauts. You don't get up there by being uncaring and blase. And whatever gave you the sense of tenacity and purpose to get that far in life is absolutely reaffirmed and deepened by the experience itself.
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Separate and unequal didn't work 100 years ago. It will not work today.
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I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.
