David Maisel Quotes
I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.
Quotes to Explore
-
Yeah I'm still writing. I've got about 14 tracks now. But we've been on tour so we haven't had time to get back to a rehearsal place.
-
It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
-
A potlatch is similar to a court case in that both are prohibitively expensive; both involve lengthy speeches and the vigorous examination and debate of the actions, rights and legal responsibilities of the participants. One has food, singing and spiritual rites; the other, not so much.
-
Self-censorship is a lie to yourself; if you are going to be trying to seriously create art, to create literary art, and you decide to hold back, to censor yourself, then you are a fool to yourself and it would be better that you kept your mouth shut and did not speak.
-
I don't care about what people might call my style. It's just like when people call my music 'jangly,' 'dream,' 'oceanside,' whatever - I don't care. I'm just wearing whatever I can scrap together.
-
I'm smart enough to know to work with smart people.
-
It took 23 years from Abraxane being conceived to us showing now with conclusiveness that it works in pancreatic cancer. We cannot afford as a society to wait another 23 years to make sure that the patients get the right care, at the right time, at the right place.
-
Hitting .400 is something you can do by yourself. But you have to rely on guys getting on base at the right time to drive in that many runs.
-
I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
-
I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.
-
I think I've paid my dues. I've really put in a lot of time on set.
-
The Assembly has witnessed over the last weeks how historical truth is established; once an allegation has been repeated a few times, it is no longer an allegation, it is an established fact, even if no evidence has been brought out in order to support it.
-
Perhaps at some time in the future, when you ask a friend to come up and look at your etchings, you will plug in your collection of video art.
-
There's something to be said in favor of working in isolation in the real world.
-
President Mandela was not a hands-on president at any time.
-
What thoughts are to the individual, art is to the community as a whole. That's where you reflect on who you are, who you hope to be, what you've gone through, and where you hope to go.
-
You can't give the government the power to do good without also giving it the power to do bad - in fact, to do anything it wants.
-
I got behind that pencil and nothing happened for many years, but since they put me in the Songwriters Hall of Fame, I've turned around. I took a good look at myself and said, I think it's time to get back at work.
-
There's a danger in romanticizing what it means to be a writer. Because what it really means is hard, hard work. It means tearing your hair out. Feeling like your head is about to explode.
-
The day people around me stop questioning my character is the day my character begins to grow vulnerable.
-
My wife made me a book of photographs she took of our road trip across the United States. Makes for a good coffee table book.
-
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
-
Pessimism is mental disease. It means illness in the person who voices it, and in the society which produces that person.
-
I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.
