David O. Russell Quotes
I think I land somewhere between Scorsese and Capra in what I'm drawn to emotionally; I'm drawn to very intense emotion. Capra freaked people out when they saw Jimmy Stewart lose it in 'It's a Wonderful Life.'

Quotes to Explore
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It is easy to remove the mind from harping on the lost illusion of immortality. The disciplined intellect fears nothing and craves no sugar-plum at the day's end, but is content to accept life and serve society as best it may.
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I never really address myself to any image anybody has of me. That's like fighting with ghosts.
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I have always had this view about the modern education system: we pay attention to brain development, but the development of warmheartedness we take for granted.
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I love the ubiquitous idly-dosa combination. In fact, that was my pet name as a kid! In school, I would bug the canteen boys to get me my daily quota of idly!
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Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
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I don't believe that human beings are necessarily monogamous.
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Eurasia is home to most of the world's politically assertive and dynamic states.
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It was not my dream to be an artist. How could it have been? I thought, artist, much like a leader, was something you either were or weren't. Never something you set out to be.
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But acting just sort of happened and I found that I loved it. It was such a challenge.
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I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
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I wanted to be Beetlejuice. I watched nonstop 'Beetlejuice' and 'The Princess Bride' growing up.
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Being an actress can be a little like being a girl in the '50s: You're stuck waiting by the phone, hoping that the boy you like will call.
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Logic! Good gracious! What rubbish!
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It is not enough just to wish well; we must also do well.
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People don't want to serve apprenticeships any more. Kids expect to be paid and treated really well and all that guff before they've achieved anything. It doesn't work like that. You have to spend five or six years being relatively rubbish and put up with it. For that you don't deserve to be getting lottery money.
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I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
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If you can believe it, I had no intentions of being a wrestler.
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There is a fascination with the idea that one has 'seen someone else do something' before one can achieve it. Maybe that's true in some cases, but clearly it is not a requirement. I knew what I wanted to do.
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My major aim in writing is to set out flags and issue wake-up calls.
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My main inspirations come from early '90s Trance, the French electro movement round '06, then a bunch of artists like Flying Lotus, J Dilla, Moby, The Prodigy. So I'd say it's some kind of experimental electronica with a strong hip hop influence. It's chilled, but people can still get super crazy and dance to it.
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Dance is definitely what I love doing much more than anything else.
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Fishing, Danny boy, is purely a state of mind. Some men, when they are fishing, are after fish. Me, I'm after things you could never set a barbed hook in.
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When he's playing well, we really have a special team. When he's not playing well, we really miss him.
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I think I land somewhere between Scorsese and Capra in what I'm drawn to emotionally; I'm drawn to very intense emotion. Capra freaked people out when they saw Jimmy Stewart lose it in 'It's a Wonderful Life.'