David Ogden Stiers Quotes
A lot affects the outcome. It boils down to scheduling and the commitment of the network.
Quotes to Explore
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The biographical novel is a true and documented story of one human being's journey across the face of the years, transmuted from the raw material of life into the delight and purity of an authentic art form.
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I love Vanna White as much as the next guy.
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Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.
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I'm not graceful.
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I love thinking about the film, the project and committing myself as much as possible.
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The first thing I learned was the theme from Peter Gunn.
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A resilient culture has a certain amount of resistance embedded in it. Not so much to capsize it, but enough so that it doesn't atrophy.
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Romance should never begin with sentiment. It should begin with science and end with a settlement.
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You can finish the day's filming or the whole shoot or watch something months later and think you could have done it so much better. It's frustrating.
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I've worked with David Lynch since I was 17, and working with him is home and family; being around Alexander Payne is home and family, Jonathan Demme. There are directors... Robert Altman, Paul Thomas Anderson... They are directors where I create homes.
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Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
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In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.
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I used to say that I didn't want anything to do with e-mail. It seemed really impersonal, complicated and weird. I had no idea what an amazing way it is to reach people.
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I don't feel badly about that. There's a lot of energy on the golf course. The guys are playing great. I like the pairings in the afternoon. I'm going to take what we've got.
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Whether you watch 'Law and Order' all the time or not, everyone knows what it looks like. Everyone knows what the courtroom looks like, what the police precinct looks like.
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There are so many aspects to science that I couldn't give up – the rigor, the discoveries, the teaching. The impact that science has on the world around us is something I'm enthralled with. I don't think anyone could ever take that out of me.
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In photo shoots, I rely on instinct. Which is not to say I don't bring ideas to a project or consider it beforehand.
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I'm pretty goofy. I really do like to sing and dance in real life. I'm a rhythmic person. I love comedy; I love making people laugh. That's my brand.
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If you're young and wild, you tend to believe your clippings. One day you're Hemingway. The next day you're nothing.
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I refuse to discuss tabloid rumors.
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I wrote my senior essay on the Santa Fe Writer's Colony and my dissertation on sacred landscapes - the Grand Canyon, the Dakota Badlands. As a setting, I love the West. I just love that western landscape.
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I certainly think it's very important that writers as citizens - not necessarily as writers, but just as ordinary citizens - should talk about things that matter to them.
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I definitely feel sorry more people don't get to see my films. They aren't inaccessible, and if people got the chance to see them, I know they'd like them.
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A lot affects the outcome. It boils down to scheduling and the commitment of the network.
