David Oyelowo Quotes
In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.
Quotes to Explore
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The way I like to work is to attach personal experiences to what I'm doing, so it helps tremendously if I can write my own play under what the writer has written.
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I know some black actresses who have to wait every 19 films for a role. I can be cast in practically every one as a young white male.
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Small companies need capital to invest, expand, and create jobs. And the economy needs a healthy small business community to bolster and sustain its recovery.
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People make the mistake of thinking they've got to perform just because someone has said something about their potential.
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I've been making music for a long time, since I was very young, but at the same time, I'm still exploring what works for me. I feel like I'm just starting out.
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That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.
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I really appreciate people like Rosie coming out and saying I've inspired them.
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You're not supposed to be so blind with patriotism that you can't face reality. Wrong is wrong, no matter who says it.
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Very often, the judgments by ordinary citizens may be better than those by professional economists, being more rooted in reality and less narrowly focused.
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Whereas recessive traits require two bad copies of a gene to become noticeable, a dominant trait expresses itself no matter what the other copy does. A benign example of dominance: If you inherit one gene for sticky wet earwax and one gene for dry earwax, the sticky earwax gene wins out every time.
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Most mutations involve typos: Something bumps a cell's elbow as it's copying DNA, and the wrong letter appears in a triplet - CAG becomes CCG.
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I began to understand my sensations, to know what I wanted, at around the age of forty - but only vaguely.
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I still owe a duty of loyalty to my clients and former clients, so I cannot specify which clients I did not especially find congenial, but the cause was the same.
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I think it's a mistake to go after someone just based on looks. But I always respond to people who don't act that interested in me.
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It's never fun having to bulk up for a job on an action film, then lose weight for another role. I don't actually mind working out, but it's the diet: I'm half-French, so I love my food, and boiled chicken breast for breakfast is not my idea of a good meal.
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Everything I've ever written, I had a very distinct vision of what I wanted it to look like. But, other directors never do it that way.
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I am very lucky that I get to tell stories for a living. I love being able to grab people's attention, to keep them turning the pages, to make them stay awake all night.
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We must overcome the notion that we must be regular... it robs you of the chance to be extraordinary and leads you to the mediocre.
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When I was in my teens I had issues with OCD.
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My dad has totally taken my Cat Stevens T-shirt, but it's OK; I have his Black Flag one, and that's amazing.
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Sugar Ray wouldn't give me a rematch, and that's the reason I walked away from boxing.
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It may be that the seemingly intrinsic attraction that past time has for me is merely a desire for escapism, as I look out at the nation and world with little optimism.
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It's much easier to make a Superman or Batman film than a Green Lantern film.
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In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.
