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The typographic logic created 'the outsider,' the alienated mass, as the type of integral, that is, intuitive and irrational, man. (p. 241)
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Heidegger surf-boards along on the electronic wave as triumphantly as Descartes rode the mechanical wave. (p. 280)
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The typographic lore of school children points to the gap between the scribal and typographic man. (p. 103)
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With Gutenberg Europe enters the technological phase of progress, when change itself becomes the archetypal norm of social life. (p. 177)
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The Gutenberg galaxy was theoretically dissolved in 1905 with the discovery of curved space, but in practice it had been invaded by the telegraph two generations before that. (p. 286)
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The spoken word was the first technology by which man was able to let go of his environment in order to grasp it in a new way.
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Unlike previous environmental changes, the electric media constitutes a total and near-instanteous transformation of culture, values and attitudes.
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Innumerable confusions and a feeling of despair invariably emerge in periods of great technological and cultural transition.
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Mass man is a phenomenon of electric speed, not of physical quantity.
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Writing turned a spotlight on the high, dim Sierras of speech; writing was the visualization of acoustic space. It lit up the dark. (p. 14)
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The inner trip is not the sole prerogative of the LSD traveler; it’s the universal experience of TV watchers.
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The global village is a place of very arduous interfaces and very abrasive situations.
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Environment is process, not container. (p. 30)
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When we invent a new technology, we become cannibals. We eat ourselves alive since these technologies are merely extensions of ourselves. The new environment shaped by electric technology is a cannibalistic one that eats people. To survive one must study the habits of cannibals. (p. 261)
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We drive into the future using only our rearview mirror.
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I neither approve nor disapprove. I merely try to understand. Sexual freedom is as natural to newly tribalized youth as drugs.
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In Catch-22, the figure of the black market and the ground of war merge into a monster presided over by the syndicate. When war and market merge, all money transactions begin to drip blood. (p. 211)
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The Greeks invented both their artistic and scientific novelties after the interiorization of the alphabet. (p. 66)
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Every innovation scraps its immediate predecessor and retrieves still older figures – it causes floods of antiques or nostalgic art forms and stimulates the search for museum pieces.
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The logos of creation, 'And God Said ...' formed the basis of Christian interpretation of the 'Book of Nature.'
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In tetrad form, the artefact is seen to be not netural or passive, but an active logos or utterance of the human mind or body that transforms the user and his ground.
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People never remember but the computer never forgets. (p. 69)
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Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog. (p. 13)
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Civilization gives the barbarian or tribal man an eye for an ear and is now at odds with the electronic world. (p. 30)