Martha Beck Quotes
There are several ways to mess up your life by fighting to make your calendar age match your felt age. I live in the Southwest, a part of the country with more than its share of fair skies, material wealth, and people who are trying not to be as old as they are.
Quotes to Explore
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We think of writing a book as a process, but the very word - process - suggests that there is one: a template to follow, a map to guide us. If that were true, someone would have surely figured out some marketable method we could all buy.
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I got a New York designer to build my dream store here, which is a little bit of Florence in New York. It's like the Duomo on Madison. I got inspired by Santa Maria Novella and all the Renaissance architecture.
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A hen is only an egg's way of making another egg.
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More is required of public officials than slogans and handshakes and press releases. More is required. We must hold ourselves strictly accountable. We must provide the people with a vision of the future.
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I didn't have a long-term plan or goal. If there would have been a road map showing me the way to my dreams becoming reality, I might have given it a second thought.
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I've raised Michael. I changed his diapers when he was little.
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I'm excited that I get to do what I love, and I'm benefiting through projects that speak to me.
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I find a lot of young filmmakers make too much of an effort to be trendy and they can be pretentious.
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I grew fond of acting rather late. And that was because I was not getting any job. I had a few friends in Delhi who were associated with theater. They took me to see some plays in Delhi and Baroda. That led me to believe the I could also act. And it was after that I joined National School of Drama in 1993.
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It's funny; people get so doctrinaire about music. It should be the last thing you don't have an open mind about.
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The teaching thing, the one where I have to impart my knowledge, is probably what comes the least naturally to me because I'm an absorber of things.
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I finished the recordings I had started with Eleven. Matt Cameron joined for the rest of those sessions.
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I always draw from things around me that people around me have gone through... The story that could be taken really literally is not from my life exactly. But bits and pieces are, and the sentiment behind it is.
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As a young girl I think I wanted to be a horse woman. I loved horses.
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We've only explored about five percent of our ocean. There are great discoveries yet to be made down there, fantastic creatures representing millions of years of evolution and possibly bioactive compounds that could benefit us in ways that we can't even yet imagine.
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There are no heroes in most of my stories. I look at our society with a critical eye and find nothing extraordinary in the people I see.
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We asked our friends and relations to lend us their children, and, because we lived in London, children loved to come and stay for their half-term holidays.
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I've always been impelled to say the truth. When I was 14, in 1954, I already wrote a gay novel, though I'd never read one. I felt that life handed me a great subject, gay life, that had scarcely been examined, and I was impelled to record it in all its strange detail.
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I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
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I see all the musicians in Blur with equal standing, really.
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I connect with kids easily. They bring out the maternal side in me.
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That's why I love wrestling: because there's so many different people. I love everybody, from Hornswoggle to the Great Khali to Seth Rollins, to The Bludgeon Brothers. I love everything about wrestling because of that.
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There are several ways to mess up your life by fighting to make your calendar age match your felt age. I live in the Southwest, a part of the country with more than its share of fair skies, material wealth, and people who are trying not to be as old as they are.
