Martha Gellhorn Quotes
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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Writing is an exploration. You start from nothing and learn as you go.
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All writing is that structure of revelation. There's something you want to find out. If you know everything up front in the beginning, you really don't need to read further if there's nothing else to find out.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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I didn't live at school, I lived where I could and studied what I enjoyed studying. I took what I wanted from that education but was making my first record at the same time. I don't know anyone from school. I was just leading a different life. I was really interested in writing and other things.
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I love writing songs.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.
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I'm basically a know-it-all, and I'm writing a book about it. I want it to be called 'Danson on Water' and have me on the cover in this Christlike pose, standing on the water.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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I love being a mom. But there's a certain kind of tedium to your life when your kid is young. Writing allows you to wander when your kid is napping in a crib ten feet away. So that's the great joy of writing fiction for me.
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We all need to focus on our writing. Because the millions of readers out there don't care about your blog.
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All good books are alike in that they are truer than if they really happened and after you are finished reading one you feel that it all happened to you and after which it all belongs to you.
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During the act of writing I have told myself something that I didn't know I knew.
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I suppose I flee to life. I'm most interested when conversations become difficult.
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To be loved is a strength. To love is a weakness.
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We can't discount how scary and shaken not just the Turkish government is, but Turkish society is. Imagine if you had some rump group of military officials here in the United States who started flying off with F-16s or other artillery and were taking shots at government buildings, and people were killed and injured. People would be scared and rightfully so.
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I didn't write. I just wandered about.
