Kristin Cavallari Quotes
I've always had a little pooch. I just always have - that's just my body type. No matter how skinny I've been, it's always there. And now that I've had kids, I sort of don't mind as much because, you know what? What my stomach and my body went through is truly a miracle.

Quotes to Explore
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I don't have a disregard for my reader in humor pieces.
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All the women in my family are very dramatic by themselves. They make the biggest things out of nothing. I think that's where I learned a lot about being emotional.
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Why would Senator Allen want to oppose saving money for the state? It's simply another example of Republicans fighting the governor tooth and nail against any measure where she might be able to turn the state's budget around.
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Practically, I am interested in television because it keeps me home and it's fast, and I exist in independent films mostly, and you don't get paid for those, or you don't get paid enough.
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I remember growing up always loving the guitar. I used to love to watch the people play on the Country Western shows on TV. My folks told me that when I was just a toddler, I used to pretend I was playing a guitar on a toothpick.
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I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.
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Bureaucracy kills people's ability to try new ideas.
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Never for the sake of peace and quiet deny your convictions.
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When you give a lot of confidence in people and you don't get it back, you are a bit disappointed, but it's life.
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I've always had a dream of owning a restaurant.
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I thought of Jeff Bridges in 'Hell or High Water' and Ben Foster, and I kept trying very hard not to, because you're terrified you're going to write this thing that then feeds specifically to this one person that then won't do it.
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You have to master not only the art of listening to your head, you must also master listening to your heart and listening to your gut.
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Growing up on a mountain in Tennessee, I spent most of my childhood outside.
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One of the ugly secrets of the renewable-energy industry is that its products make no economic sense unless they are highly subsidized.
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We were like a stock company at Warners. We didn't know any of the stars from the other studios.
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There are a lot of people who can slide on talent their whole lives; they're just naturally gifted. I've never considered myself one of those people. I enjoy outworking the opposition.
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My giving story started with my parents - my late mother, Frances Arrillaga, who dedicated her life to philanthropic and community service, and my father, John Arrillaga, whose daily generosity of heart, mind, and hands-on contributions make him one of the most extraordinary philanthropists I know.
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I've always been fascinated by young women who come to New York. The characters in 'Lipstick Jungle' were once young women who came to New York and we see their early experiences through flashbacks.
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Though I do manage to mumble around in about seven or eight languages, English remains the most beautiful of languages. It will do anything.
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What I see as the particularly exciting prospect for writing horror fiction as we go forward is setting stories in more internal landscapes than external ones, mapping out the mind as the home for scary things instead of the house at the end of the lane or lakeside campground or abandoned amusement park.
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I've nothing against kids reading anything they please, but I do have a problem with pink books for girls and black books for boys.
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There is the love of knowing without the love of learning; the beclouding here leads to dissipation of mind.
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I've always had a little pooch. I just always have - that's just my body type. No matter how skinny I've been, it's always there. And now that I've had kids, I sort of don't mind as much because, you know what? What my stomach and my body went through is truly a miracle.