David Shields Quotes
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Considering the relatively brief careers of professional athletes, teenagers who are good enough to play at the highest level should be able to exploit that market.
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Flipping through the channels late at night, I'll come across 'The Longest Yard' and not be able to get up off the couch until Burt Reynolds has scored the winning touchdown.
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I argued strongly to the American publisher that 'Reality Hunger' should come out first. They thought that 'The Thing About Life' would have more appeal because it's on a broader topic; it's about mortality rather than art.
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I'm really drawn toward work that is trying to capture what it's like to think now and to live now.
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As a work gets more autobiographical, more intimate, more confessional, more embarrassing, it breaks into fragments.
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The real impulse of most books is to tell a story to keep the reader lashed to the page. I don't get why that's a proper use of an adult's time.
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The N.C.A.A. is a multibillion-dollar business built on the talents of players who are often unqualified for or uninterested in being students and who benefit materially from the system only if they are among the few who turn professional.
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Centenarians tend to be assertive, suspicious, and practical.
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I suspect the real reason the N.F.L. and N.B.A. don't want high schoolers and college underclassmen to play with their ball is that they don't want to jeopardize their relationship with National Collegiate Athletic Association, which serves as a sort of free minor league and unpaid promotional department for the pros.
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I do not think it feasible to examine the phenomenon of hatefulness without being hateful.
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I like having a paperback original. And until literature catches up with the culture - the violence, language, syntax, compression, concision, complexity and diversity that the Internet offers - books still make sense.
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It's hard not to read the success of someone like Hilary Mantel as the product of a world that is too nervous, too crazy, and perhaps too interesting for some people.
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Reality isn't straightforward or easily accessible.
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Seattle has shaped me in a lot of ways.
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When I was studying at the Iowa Writers School, I read a sports writer, Ron Maly, from the Des Moines Register. He was a good sports writer. I became real interested in the contrast between Lute Olson, who was the coach of Iowa at the time, and Ron Maly.
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Collage is not a kitchen sink; it's not a refuge for the compositionally disabled.
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You don't think anyone who lives an ordinary life has plenty of trouble and torment to write about?
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In a way, it's taken me 25 years to acknowledge that I am from the West Coast. I was always sort of pretending I was bicoastal or that I really belonged on the East Coast.
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I am exhausted by traditional memoir. I am exhausted by the architecture of the conventional novel.
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Denied dancing and musical instruments, slaves expressed a hidden tradition of musicality and poetics by tongue and signal.
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You, Dad, in the large scheme of things, don't matter. I, Dad, don't matter. We're vectors on the grids of cellular life.
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Good poets borrow; great poets steal.
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I think the core of fans' relationship is one that vacillates schizophrenically and mercurially from reverence to resentment. Fans fetishize the players' athletic genius and both deify it and demonize it; witness the way awe turns into anger whenever a player holds out or flips off the offensive coordinator.
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I'm not super-polite or civil - I try to be civil, but I'm not into Seattle's niceties, and I'm not hugely wired into Seattle's natural beauty.