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	You could easily do a book of Marshawn Lynch's quotes, which have a quite serious political pushback. I think he's really amazing.   
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	I'm really drawn toward work that is trying to capture what it's like to think now and to live now.   
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	I do not think it feasible to examine the phenomenon of hatefulness without being hateful.   
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	Your art is most alive and dangerous when you use it against yourself. That's why I pick at my scabs.   
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	The trajectory of nearly all technology follows this downward and widening path: by the time a regular person is able to create his own TV network, it doesn't matter anymore that I have or am on a network.   
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	During Ronald Reagan's administration, '60 Minutes' ran a segment about the difference between Reagan's rhetoric and Reagan's actions. The show thought it had produced a hard-hitting piece; Reagan's team called up '60 Minutes' to thank them for the 15-minute commercial.   
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	The ruling ethos of Seattle is forlorn apology for our animal impulses.   
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	The key thing for an intellectually rigorous writer to come to grips with is the marginalization of literature by more technologically sophisticated and thus more visceral forms.   
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	Denied dancing and musical instruments, slaves expressed a hidden tradition of musicality and poetics by tongue and signal.   
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	Collage is not a kitchen sink; it's not a refuge for the compositionally disabled.   
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	I like having a paperback original. And until literature catches up with the culture - the violence, language, syntax, compression, concision, complexity and diversity that the Internet offers - books still make sense.   
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	We judge athletes as if we all don't have trouble performing our various duties from time to time.   
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	I'm trying to use myself and my own flawedness as a metaphor for general human experience. I'm trying to 'stand next to' a subject, whether it's Bobby Knight or Vince Carter, and use that subject to meditate on both him and me.   
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	Swimming is by far the best tonic I've found for my back. I'm not a good swimmer - I do the breaststroke or elementary backstroke in the slow lane - but when I took a two-week break from swimming I was surprised how much I missed it.   
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	I'm obviously aware that most people don't agree with me, that people like to escape into a coherent world that is apart from their own.   
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	I would hate to be that person who is, you know, the mystery writer who has to deliver a book every year to publisher X.   
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	Seattle's not a particularly Jewish city, and I'm not in any way religious. Since I've been here, I've been a fairly productive, even obsessively productive, writer.   
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	All human beings have bodies. All bodies are mortal. Yours, too, is one of these bodies.   
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	Immanence, or complicity, allows the writer to be a kind of shock absorber of the culture: to reflect back its 'whatness,' refracted through the sensibility of his consciousness.   
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	Sports passion is deeply, infamously territorial: our city-state is better than your city-state because our city-state's team beat your city-state's team. My attachment to the Sonics is approximately the reverse of this.   
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	The reigning mythology of the Northwest is obviously nature, and the reigning mythology of the Northeast corridor is culture.   
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	I'm not super-polite or civil - I try to be civil, but I'm not into Seattle's niceties, and I'm not hugely wired into Seattle's natural beauty.   
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	I felt like I was definitely seeing something - the falsely gorgeous images of war, painted, almost invariably, in 'Times' combat photos.   
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	I'm a sucker for sports movies.   
