David Steinberg Quotes
Quotes to Explore
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It's a compulsion. I'm always changing parts of me. Even when I was young, I wanted to change my hair color. I was so determined that I dyed my hair with Kool-Aid.
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I remember everything from 1976. I remember I was 14, and I remember my routines.
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It's such a weird self-confidence that an artist has - to conceive of this thing that serves no function and say, 'I'm going to really work hard for it and give it and it's just going to matter to people.' You really have to believe it all on your own.
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I went out there, and I fought Anderson Silva, and you know what? I got a big W, and that's massive for my career going forward.
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The CW is a very fashion-oriented network and they like their stars to look a certain way. I like that, but at the same time, I need Nikita to be toned down a bit. You can't draw too much attention to Nikita because she's an assassin.
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Look back, and smile on perils past.
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My father didn't know his last name. My father got his last name from his grandfather, and his grandfather got it from his grandfather who got it from the slavemaster.
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The rewards for those who persevere far exceed the pain that must precede the victory.
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I guess what all artists want is for their work to touch someone or for it to be thought provoking.
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Government can supply bread, but it can't mend a broken spirit.
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You can think of Hollywood as high school. TV actors are freshmen, comedy actors are maybe juniors, and dramatic actors - they're the cool seniors.
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I want poverty to end in tomorrow's Pakistan. I want every girl in Pakistan to go to school.
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I always do drama. It's just that some people laugh at it and some people cry.
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If you go back to any period in India's history, all the hard decisions this country had to take were taken when the Congress was in power.
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As I wrote I began to see more strongly that there were inescapable analogies. You couldn't really live through the '80s without feeling how crass and distasteful some of the economic doctrines were. The slave trade is a perfect model for that kind of total devotion to the profit motive without reckoning the human consequences.
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Our epoch is a time of tragic collision between matter and spirit and of the downfall of the purely material world view.
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Don't be surprised at Fortune's turns and twists: That wheel has spun a thousand yarns before.
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The script is always the main preparation for me. Sometimes you have a period piece where you have to research around it, but if the writers have done their homework well enough, the information is all in the script.
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I was in romantic relationships with girls - whatever that means at 14.
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At the end of the day, I would like to have the farthest reach in terms of being able to communicate to as many people as possible. So it's not that I enjoy being obscure; it's that I sonically don't want to be situated here or there.
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I'd like to do a romantic comedy.
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From the onset of the 'Live-Read' series, we wanted to hit all the major writers and Woody Allen is simply one of the greatest screenwriters of all time. He has ability to match pathos and comedy and drama and then turn it all on a dime. If you're going to make a series based on dialogue, you can't find much better than Woody Allen.
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The stuff I did in 'Rescue Me' was great. It gave me the opportunity to play comedy, and Denis Leary was the first one to take a chance with me. And from that experience, we had a comedy pilot that we did that I was going to play the lead in. And then 'Person of Interest' came along. They're all new experiences.
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I don't really dissect comedy. Nothing kills off humor more than overanalyzing it.
