Ian Millar Quotes
The minute I put my leg on a horse and say, 'Come on, let's go,' I absolutely believe that the horse and I can do it and that we will do it. And I am always shocked when we actually don't do it. If the analytical mind ever overrode that optimist in me, I'd be in some serious trouble.

Quotes to Explore
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Your mind is a magnet. You don't attract what you need or what you want; you attract who you are. And I love who I am!
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We have to stand up for what we believe in, even when we might not be popular for it. Honesty starts with being ourselves, authentic and true to who we are and what we believe in, and that may not always be popular, but it will always let you follow your dreams and your heart.
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Teenage girls these days are more and more getting lured into thinking they should dumb themselves down, and that's going to attract the wrong kind of guy, and it's serious. It's serious business.
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In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.
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Middle age is when your broad mind and narrow waist begin to change places.
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I have been a film buff all my life and believe that the finest cinema is fully the equal of the best novels.
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I can write all the way through the morning, when my mind is clear, and there are no distractions.
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It has been said that love is a function of communication. I believe that to be true. I believe, by extension, that human understanding is a function of communication. And the better human beings understand one another, the higher the level of functioning.
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Just do what you believe in, and success will follow.
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I'm so suspicious of our own understanding of the past. I just think that your mind plays absolute tricks on you and fools you every minute of every day. And so when you're talking about the past, you're talking about something that never happened. At least it didn't happen the way you think it happened.
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Some people say I have attitude - maybe I do... but I think you have to. You have to believe in yourself when no one else does - that makes you a winner right there.
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I know it can be difficult for parents, but I really do believe that kids need to play the predominant role in the choices that go into their own space.
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I have a longing for fiction - to try to believe in it and to disappear into it.
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I want to just be what kids believe in.
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And I don't believe that melodramatic feelings are laughable - they should be taken absolutely seriously.
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The petty man is eager to make boasts, yet desires that others should believe in him. He enthusiastically engages in deception, yet wants others to have affection for him. He conducts himself like an animal, yet wants others to think well of him.
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By the '40s, Sam Goldwyn is a very serious man. By the '50s, he's the dean of American producers. To the end, he was Hollywood's gray eminence.
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The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
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In order to be a realist you must believe in miracles.
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I wanted to be heard myself, which is hard in a household of people who were very showy. It forced me to find myself and define a personality and a way of being different, and that's a thing that's going to help me to survive in a world of many people playing the guitar.
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It is quite useless knocking at the door of heaven for earthly comfort. It's not the sort of comfort they supply there.
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Furthermore, I shall explain the nature of dharmata: Such a nature as this cannot be determined to be any one thing. So however you label it, that is how it appears.
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I believe this thought, of the possibility of death - if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going.
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The minute I put my leg on a horse and say, 'Come on, let's go,' I absolutely believe that the horse and I can do it and that we will do it. And I am always shocked when we actually don't do it. If the analytical mind ever overrode that optimist in me, I'd be in some serious trouble.