Paul Thomas Anderson Quotes
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
Quotes to Explore
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Music was a way of rebelling against the whole rah-rah high school thing.
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I find it quite boring when people do things that are very considered and thought through. I like things best when they're just done because they're fun or beautiful, or simply because they are what that one person wanted to do at that one time.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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The best job goes to the person who can get it done without passing the buck or coming back with excuses.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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I always have music. I love it to be very upbeat. When you're having drinks, I like something like Cesaria Evora. During dinner, I like the much more traditional - old Frank Sinatra and things like that.
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If architecture is frozen music then music must be liquid architecture.
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Libertarianism is a way of measuring how the government and other kinds of systems respect the individual. At the core of libertarianism is the idea that the individual is sacrosanct and that anything that's done contrary to the well-being of the individual needs some pretty serious justification.
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I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.
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I just do what I'm here for and that's to make that music.
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I adore book-to-film adaptations when they're done well, and I'm more lenient than many readers when it comes to what counts as 'done well.' For me, the most important thing is that the film maintains the spirit of the original book.
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I have met hundreds of young people doing just what George Romney did: using a hand up in tough times to become part of the American Dream.
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I like the fact that this kind of family has been seen in a movie a million times: teenage kids, the family is a bit strained and they don't have enough money, but in the background the guy used to be a Gene Simmons type.
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Our music attracts the people that we rap about and make music about, and they come out and actually do it.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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Irvin Kershner, no matter what anyone says, has done some great work. 'Eyes of Laura Mars' is an incredible movie.
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Their eagerness for the big-band music and their ability to grasp the essence of it made me realize that today's generation has not been properly exposed to the big-band sound.
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It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.
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I saw my rock'n'roll past flash before my eyes. And I saw something else: I saw rock and roll future and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.
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I've never had an actual haunting experience, in the way you might anticipate a ghost in a movie haunting someone, but I do feel presences around me all the time, and I do feel that memories haunt us the way ghosts haunt us or might haunt characters in a film.
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I blame myself for not often enough seeing the extraordinary in the ordinary. Somewhere in his journals, Dostoyevky remarks that a writer can begin anywhere, at the most commonplace thing, scratch around in it long enough, pry and dig away long enough, and lo!, soon he will hit upon the marvelous.
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The man who can speak acceptably is usually given credit for an ability out of all proportion to what he really possesses.
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I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
